elds like a chess-board, and full as smooth and level,
seemingly; dotted about its borders with white, compact villages, and
faintly penciled, far and near, with the curving lines of roads and
trails. When it is robed in the fresh verdure of spring, it must form a
charming picture, even by itself. Skirting its southern border rises
"Little Hermon," over whose summit a glimpse of Gilboa is caught. Nain,
famous for the raising of the widow's son, and Endor, as famous for the
performances of her witch are in view. To the eastward lies the Valley
of the Jordan and beyond it the mountains of Gilead. Westward is Mount
Carmel. Hermon in the north--the table-lands of Bashan--Safed, the holy
city, gleaming white upon a tall spur of the mountains of Lebanon
--a steel-blue corner of the Sea of Galilee--saddle-peaked Hattin,
traditional "Mount of Beatitudes" and mute witness brave fights of the
Crusading host for Holy Cross--these fill up the picture.

To glance at the salient features of this landscape through the
picturesque framework of a ragged and ruined stone window--arch of the
time of Christ, thus hiding from sight all that is unattractive, is to
secure to yourself a pleasure worth climbing the mountain to enjoy. One
must stand on his head to get the best effect in a fine sunset, and set a
landscape in a bold, strong framework that is very close at hand, to
bring out all its beauty. One learns this latter truth never more to
forget it, in that mimic land of enchantment, the wonderful garden of my
lord the Count Pallavicini, near Genoa. You go wandering for hours among
hills and wooded glens, artfully contrived to leave the impression that
Nature shaped them and not man; following winding paths and coming
suddenly upon leaping cascades and rustic bridges; finding sylvan lakes
where you expected them not; loitering through battered mediaeval castles
in miniature that seem hoary with age and yet were built a dozen years
ago; meditating over ancient crumbling tombs, whose marble columns were
marred and broken purposely by the modern artist that made them;
stumbling unawares upon toy palaces, wrought of rare and costly
materials, and again upon a peasant's hut, whose dilapidated furniture
would never suggest that it was made so to order; sweeping round and
round in the midst of a forest on an enchanted wooden horse that is moved
by some invisible agency; traversing Roman roads and passing under
majestic triumphal arches;