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often turned out to be the coming one. 'O, is that the woman at last?' said Neigh, diminishing his broad general gaze at the room to a close criticism of Ethelberta. '"The rhymes," as Mrs. Napper calls them, are not to be despised,' said his companion. 'They are not quite virginibus puerisque, and the writer's opinions of life and society differ very materially from mine, but I cannot help admiring her in the more reflective pieces; the songs I don't care for. The method in which she handles curious subjects, and at the same time impresses us with a full conviction of her modesty, is very adroit, and somewhat blinds us to the fact that no such poems were demanded of her at all.' 'I have not read them,' said Neigh, secretly wrestling with his jaw, to prevent a yawn; 'but I suppose I must. The truth is, that I never care much for reading what one ought to read; I wish I did, but I cannot help it. And, no doubt, you admire the lady immensely for writing them: I don't. Everybody is so talented now-a-days that the only people I care to honour as deserving real distinction are those who remain in obscurity. I am myself hoping for a corner in some biographical dictionary when the time comes for those works only to contain lists of the exceptional individuals of whom nothing is known but that they lived and died.' 'Ah--listen. They are going to sing one of her songs,' said his friend, looking towards a bustling movement in the neighbourhood of the piano. 'I believe that song, "When tapers tall," has been set to music by three or four composers already.' 'Men of any note?' said Neigh, at last beaten by his yawn, which courtesy nevertheless confined within his person to such an extent that only a few unimportant symptoms, such as reduced eyes and a certain rectangular manner of mouth in speaking, were visible. 'Scarcely,' replied the other man. 'Established writers of music do not expend their energies upon new verse until they find that such verse is likely to endure; for should the poet be soon forgotten, their labour is in some degree lost.' 'Artful dogs--who would have thought it?' said Neigh, just as an exercise in words; and they drew nearer to the piano, less to become listeners to the singing than to be spectators of the scene in that quarter. But among some others the interest in the songs seemed to be very great; and it was unanimously wished that the young lady who had practised the different p
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