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that she has given him at least one half of her heart, and that all he has to do is to win the other half. And Marianna, since she imbibed the poison of your kisses, has advanced three years in shrewdness, artfulness, and experience. She has convinced the old man, not only that she had no share in our trick, but that she hates our goings-on, and will meet with scorn every device on your part to approach her. In his excessive delight the old man was too hasty, and swore that if he could do anything to please his adored Marianna he would do it immediately, she had only to give utterance to her wish. Whereupon Marianna modestly asked for nothing except that her _zio carissimo_ (dearest uncle) would take her to see Signor Formica in the theatre outside the Porta del Popolo. This rather posed Capuzzi; there were consultations with the Pyramid Doctor and with Pitichinaccio; at last Signor Pasquale and Signor Splendiano came to the resolution that they really would take Marianna to this theatre to-morrow. Pitichinaccio, it was resolved, should accompany them in the disguise of a handmaiden, to which he only gave his consent on condition that Signor Pasquale would make him a present, not only of the plush waistcoat, but also of a wig, and at night would, alternately with the Pyramid Doctor, carry him home. That bargain they finally made; and so the curious leash will certainly go along with pretty Marianna to see Signor Formica to-morrow, in the theatre outside the Porta del Popolo." It is now necessary to say who Signor Formica was, and what he had to do with the theatre outside the Porta del Popolo. At the time of the Carnival in Rome, nothing is more sad than when the theatre-managers have been unlucky in their choice of a musical composer, or when the first tenor at the Argentina theatre has lost his voice on the way, or when the male prima donna[4.1] of the Valle theatre is laid up with a cold,--in brief, when the chief source of recreation which the Romans were hoping to find proves abortive, and then comes Holy Thursday and all at once cuts off all the hopes which might perhaps have been realized It was just after one of these unlucky Carnivals--almost before the strict fast-days were past, when a certain Nicolo Musso opened a theatre outside the Porta del Popolo, where he stated his intention of putting nothing but light impromptu comic sketches on the boards. The advertisement was drawn up in an ingenious and witt
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