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htening slightly. "And then they made a space inside the giant where somebody could sit and run this big giant and talk and move around--and the giants wouldn't ever know that she was there. They made it a _she_. In fact, she was the only person who could do it because she could learn to talk all sorts of languages--that's what she could do best. So she went out in the giant suit and mingled with the giants and worked just like they did. "But every once in a while she'd go back to the others, bringing them things they needed. And she would bring back news. That was their only hope--news of a ship which might be looking for them, which might take them home--" She broke off. "I wonder what the end of the story will be?" she murmured. For some time she had not been using English. She had been speaking in a soft, fluid language unlike anything ever heard on Venus. But now she had stopped speaking entirely. After a slight pause--another voice spoke--in the same melodious, alien tongue! It said, "I think I know the end of the story. I think someone has come for you poor people and is going to take you home." She gasped--for she realized it had not been her voice. Her artificial eyes watched, stunned, as the little boy began peeling off a skin-tight, flexible baby-faced mask, revealing underneath the face of a little man. Transcriber's Note: This etext was produced from _Fantastic Universe_ March 1954. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed. Minor spelling and typographical errors have been corrected without note. End of the Project Gutenberg EBook of Foundling on Venus, by John de Courcy and Dorothy de Courcy *** END OF THIS PROJECT GUTENBERG EBOOK FOUNDLING ON VENUS *** ***** This file should be named 29181.txt or 29181.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/9/1/8/29181/ Produced by Greg Weeks, Stephen Blundell and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, se
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