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tes in the table decoration, a design of jonquils or buttercups is chosen. A cardboard rest is tied in at the top of these envelope cards by a narrow ribbon caught through two little slits in the envelope over the one in the rest itself. They are then stood around the table like dainty little picture frames, which in reality they are, making the most charming souvenirs when taken home and a small photograph substituted for the card with the name on it. Some quaint and pretty conceit is always sought after for favors. Too expensive articles suggest a desire for display. Painted satin bags or other fancy receptacles, filled with choice confectionery, are always acceptable, especially at a ladies' luncheon. If the satin bag can be turned into an opera bag, so much the better. Tiny baskets, purchased for a trifle, and metamorphosed by means of a little gold paint, and a bow of ribbon on the handle, into dainty flower-holders, are also pretty. Hand-painted book covers are suitable, and, again, fans are much admired. Those of Japanese style can be bought reasonably. Favors for gentlemen, such as fancy pocket pincushions, small coin purses, scarfpins, sleeve-buttons, etc., are more useful than ladies' favors, but not so ornamental on the table. A pair of oars, artistically carved, are appropriate for the athletic-minded. Silk handkerchiefs with initials are also proper. Little silver _bonbonnieres_ are nice for women, and silver matchboxes for men. Some Betrothal Luncheons. The bride-elect entertains her girl friends at luncheon, and revives all the old innocent superstitions to add merriment and interest to the occasion, notable among them the ring baked in the cake, the chance recipient of which will be first to wear the orange blossoms. One of the prettiest of these luncheons was given on occasion of the announcement of the betrothal of the young hostess, and a veritable "feast of roses" was the result. As was proper, everything was _couleur de rose_--even the light in which the guests saw each other shone through dainty candle shades formed wholly of pink silk rose petals. The central _epergne_, holding a luscious mass of bridemaids' roses, was laid on a circle of filmy, transparent "bolting cloth," the edge of which was embroidered with a wreath of pink roses of natural size and varied shades. Even the salt was contained "in the heart of a rose"--tiny little porcelain affairs--originally intended for can
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