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le consists of complaints because I avoided discussions and condensed documents, which, if fully gone into and spread out at length, would have swelled the dimensions of the work, as well as broken the thread of the narrative. It must be borne in mind, that a reader can only be held to the line of a subject, by an occasional retrospection and reiteration of what must be constantly kept in view. The traveler needs, at certain points and suitable stages, to turn and survey the ground over which he has passed. A condensation that would strike out such recapitulations and repetitions, might impair the effect of a work of any kind, particularly, of one embracing complicated materials. The Reviewer says that, "by all means, I must give references to authorities," when I quote. This, as a general thing, is good advice. But it must be remembered that my work consists of three divisions. The History of Salem Village constitutes the First. This is drawn, almost wholly, from papers in the offices of registry, and from judicial files of the County, to which references would be of little use, and serve only to cumber and deform the pages. Everything can be verified by inspection of the originals, and not otherwise. The Second Part is a cursory, general, abbreviated sketch or survey of the history of opinions, not designed as an authoritative treatise for special students, but to prepare the reader for the Third Part, the authorities for which are, almost wholly, Court files. As to the remaining suggestion, that I must divide the work into Chapters, with headings, there is something to be said. When the nature of an historical work admits of its being invested with a dramatic interest--and all history is capable, more or less, of having that attraction--where minute details can fill up the whole outline of characters, events, and scenes, all bearing the impress of truth and certainty, real history, being often stranger than fiction, may be, and ought to be, so written as to bring to bear upon the reader, the charm, and work the spell, of what is called romance. The same solicitude, suspense, and sensibilities, which the parties, described, experienced, can be imparted to the reader; and his feelings and affections keep pace with the developments of the story, as they arise with the progress of time and events. Headings to Chapters, in historical works, capable of this dramatic element, would be as out of place, and as much mar and
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