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of Deputies, representing Marseilles, and was wedded to his first love, Mercedes, who had mysteriously reappeared and nursed him through a severe illness, which was immediately followed by their marriage. The revolution of 1848, which had placed M. Lamartine at the head of the Provisional Government, had put power and office within his grasp, but he had declined both, preferring to work in the wider field of universal human freedom. His eminent services during the revolution had rendered him immensely popular with the masses, and the fame of his matchless eloquence added to the vast influence he so modestly wielded. His colossal wealth, which he lavishly used to promote the great cause he championed, also tended to make him a conspicuous figure in the political and high social circles of the capital, though he strove to court retirement. Zuleika and Esperance fairly adored their mild, kindly stepmother, who, on her side, was as devotedly attached to them as if they had been her own children. The Count noted this mutual attachment, which time only served to strengthen, and it filled his heart with joy and gratification. The family was, indeed, a happy one, and even the servants shared the general felicity. Mlle. d' Armilly's influence over Captain Joliette great as it undoubtedly was, had been insufficient to induce that gallant and honorable young soldier to seek a rupture with the wonderful man to whom he was so vastly indebted and whom he so highly revered. This had at first caused a coldness between the revengeful prima donna and her admirer, but a reconciliation had ultimately taken place between them and they were now man and wife. Prior to their marriage Mlle. d' Armilly had acknowledged herself to be Eugenie Danglars, and thus the motive of her bitter hostility to the Count of Monte-Cristo was revealed. She had retired from the operatic stage, and had received a large sum of money, stated to be a legacy from her father, but generally believed to be a gift from the Count, intended by him in some degree to make amends to her for the sufferings she had endured by reason of his vengeance on the banker Danglars. The prima donna's brother Leon had turned out to be a woman masquerading in male attire, no other than Mlle. d' Armilly herself, Eugenie's former music-teacher, who had loaned her name to her friend when the latter started on her operatic career. These transformations had been immediately followed by anoth
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