FREE BOOKS

Author's List




PREV.   NEXT  
|<   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125  
126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150   >>   >|  
head of the Pharaoh Amenothes III., who kneels before him, proceeds to _impose the sa_. By using or transmitting it the gods themselves exhausted their _sa_ of life; and the less vigorous replenished themselves from the stronger, while the latter went to draw fresh fulness from a mysterious pond in the northern sky, called the "pond of the Sa."[*] Divine bodies, continually recruited by the influx of this magic fluid, preserved their vigour far beyond the term allotted to the bodies of men and beasts. Age, instead of quickly destroying them, hardened and transformed them into precious metals. Their bones were changed to silver, their flesh to gold; their hair, piled up and painted blue, after the manner of great chiefs, was turned into lapis-lazuli.[**] * It is thus that in the _Tale of the Daughter of the Prince of Bakhtan_ we find that one of the statues of the Theban Konsu supplies itself with _sa_ from another statue representing one of the most powerful forms of the god. The _pond of Sa_, whither the gods go to draw the magic fluid, is mentioned in the Pyramid texts. ** Cf. the text of the _Destruction of Men_ (Il. 1, 2) referred to above, where age produces these transformations in the body of the sun. This changing of the bodies of the gods into gold, silver, and precious stones, explains why the alchemists, who were disciples of the Egyptians, often compared the transmutation of metals to the metamorphosis of a genius or of a divinity: they thought by their art to hasten at will that which was the slow work of nature. This transformation of each into an animated statue did not altogether do away with the ravages of time. Decrepitude was no less irremediable with them than with men, although it came to them more slowly; when the sun had grown old "his mouth trembled, his drivelling ran down to earth, his spittle dropped upon the ground." None of the feudal gods had escaped this destiny; for them as for mankind the day came when they must leave the city and go forth to the tomb.[*] * The idea of the inevitable death of the gods is expressed in other places as well as in a passage of the eighth chapter of the Booh of the Dead (Naville's edition), which has not to my knowledge hitherto been noticed: "I am that Osiris in the West, and Osiris knoweth his day in which he shall be no more;" th
PREV.   NEXT  
|<   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125  
126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150   >>   >|  



Top keywords:

bodies

 

silver

 

metals

 
precious
 

statue

 
Osiris
 

proceeds

 

slowly

 

irremediable

 
Decrepitude

metamorphosis

 

impose

 

trembled

 

drivelling

 

compared

 

transmutation

 

kneels

 
hasten
 
genius
 
thought

nature

 

transformation

 
altogether
 

divinity

 

animated

 

ravages

 

dropped

 
edition
 

knowledge

 

Naville


eighth

 

chapter

 

hitherto

 

knoweth

 

noticed

 

passage

 

destiny

 
Amenothes
 

mankind

 
escaped

feudal

 

ground

 

Pharaoh

 

expressed

 

places

 

inevitable

 

spittle

 

painted

 

changed

 

lazuli