of interest: and I make no doubt but the countenance of the herald, who is
kneeling to receive the sword, is a faithful portrait. It is full of what
may be called individuality of character. The next illumination represents
the _Duke of Bourbon accepting the challenge_, by receiving the sword. His
countenance is slightly injured. The group of figures, behind him, is very
clever. The ensuing illumination exhibits the herald offering the Duke de
Bourbon the choice of eight coats of armour, to put on upon the occasion. A
still greater injury is here observable in the countenance of the Duke. The
process of conducting the tournay, up to the moment of the meeting of the
combatants, is next detailed; and several illuminations of the respective
armours of the knights and their attendants, next claim our attention. On
the reverse of the xxxijnd, and on the recto of the xxxiijd leaf, the
combat of the two Dukes is represented. The seats and benches of the
spectators are then displayed: next a very large illumination of the
procession of knights and their attendants to the place of contest. Then
follows an interesting one of banners, coat armours, &c. suspended from
buildings--and another, yet larger and equally interesting, of the entry of
the judges.

I am yet in the midst of the emblazoned throng. Look at yonder herald, with
four banners in his hand. It is a curious and imposing sight. Next succeeds
a formal procession--preparing for the combat. It is exceedingly
interesting, and many of the countenances are full of natural expression.
This is followed by a still more magnificent cavalcade, with judges in the
fore-ground; and the "dames et damoiselles," in fair array to the right. We
have next a grand rencontre of the knights attendant--carried on beneath a
balcony of ladies

whose bright eyes
Reign influence, and decide the prize.

These ladies, thus comfortably seated in the raised balcony, wear what we
should now call the _cauchoise_ cap. A group of grave judges is in another
balcony, with sundry mottos spread below. In the rencontre which takes
place, the mace seems to be the general instrument of attack and defence.
Splendid as are these illuminations, they yield to those which follow;
especially to that which _immediately_ succeeds, and which displays the
preparation for a tournament to be conducted upon a very large scale. We
observe throngs of combatants, and of female spectators in boxes abo