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ment were falling on John Storm at every step. All Saints' was a plain, dark structure with a courtyard in front. The bells were ringing, and a line of carriages was drawing up at the portico as at the entrance to a theatre, discharging their occupants and passing on. Vergers in yellow and buff, with knee-breeches, silk stockings, and powdered wigs, were receiving the congregation at the doors. "Let us go in by the west door--I should like you to see the screen to advantage," said Mr. Golightly. The inside of the church was gorgeous. As far up as the clerestory every wall was frescoed, and every timber of the roof was gilded. At the chancel end there was a wrought-iron screen of delicate tracery, and the altar was laden with gold candlesticks. Above the altar and at either side of it were stained glass windows. The morning sun was shining through them and filling the chancel with warm splashes of light. Ladies in beautiful spring dresses were following the vergers up the aisles. "This way," the curate whispered, and John Storm entered the sacristy by a low doorway like the auditorium entrance to a stage. There he met some six others of his fellow-curates. They nodded to him and went on arranging their surplices. The choir were gathering in their own quarters, where the violins were tuning up and the choir boys were laughing and behaving after their kind. The bell slackened and stopped, and the organ began to play. When all were ready they stepped into a long corridor and formed in line with their faces to the chancel and their backs to a little door, at which a verger in blue stood guard. "The canon's room," whispered Mr. Golightly. A prayer was said by some one, the choir sang the response, and then they walked in procession to their places in the chancel, the choir boys first, the canon last. Seen through the tracery of the screen, the congregation appeared to fill every sitting in the church with a blaze of light and colour, and the atmosphere was laden with delicate perfume. The service was choral. An anthem was sung at the close of the sermon, the collection being made during the hymn before it. The professional singer looked like any other chorister in his surplice, save for his swarthy face and heavy mustache. The canon preached. He wore his doctor's hood of scarlet cloth. His sermon was eloquent and literary, and it was delivered with elocutionary power. There were many references to great wri
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