d; you
will feel how I have felt about it. May God bless and restore you, and
make me very thankful, as certainly I must be in such a case....

The comfort to me in your letter is the apparent good spirits you write
in, and the cheerful, active intentions you have of work for the delight
of us all. I clap my hands, and welcome the new volumes. Dearest friend,
I do wish I had heard about the French poetry in Paris, for there I
could have got at books and answered some of your questions. The truth
is, I don't know as much about French modern poetry as I ought to do in
the way of _metier_. The French essential poetry seems to me to flow out
into prose works, into their school of romances, and to be least
poetical when dyked up into rhythm. Mdme. Valmore I never read, but she
is esteemed highly, I think, for a certain _naivete_, and happy
surprises in the thought and feeling, _des mots charmants_. I wanted to
get her books in Paris, and missed them somehow; there was so much to
think of in Paris. Alfred de Musset's poems I read, collected in a
single volume; it is the only edition I ever met with. The French value
him extremely for his _music_; and there is much in him otherwise to
appreciate, I think; very beautiful things indeed. He is best to my mind
when he is most lyrical, and when he says things in a breath. His
elaborate poems are defective. One or two Spanish ballads of his seem to
me perfect, really. He has great power in the introduction of familiar
and conventional images without disturbing the ideal--a good power for
these days. The worst is that the moral atmosphere is _bad_, and that,
though I am not, as you know, the very least bit of a prude (not enough
perhaps), some of his poems must be admitted to be most offensive. Get
St. Beuve's poems, they have much beauty in them you will grant at once.
Then there is a Breton[17] poet whose name Robert and I have both of us
been ungrateful enough to forget--we have turned our brains over and
over and can't find the name anyhow--and who, indeed, deserves to be
remembered, who writes some fresh and charmingly simple idyllic poems,
one called, I think, 'Primel et Nola.' By that clue you may hunt him out
perhaps in the 'Revue des Deux Mondes.' There's no strong imagination,
understand--nothing of that sort! but you have a sweet, fresh, cool
sylvan feeling with him, rare among Frenchmen of his class. Edgar Quinet
has more positive genius. He is a man of grand, extravagant