on of several
MS. volumes has given me such singular advantages, I am unwilling to
surrender my project. I have the music to nearly twenty jigs, and two
have some of the words, which are curious.
R.
_Wife of the Poet Bilderdijk--Schweickhardt the Artist_ (Vol. ii., pp.
309. 349.).--JANUS DOUSA will find a very sufficient account of
Southey's visit to the Dutch poet Bilderdijk, in vol. v. of the _Life
and Correspondence of Southey_, now publishing by his son. To the
special inquiry of JANUS DOUSA I can say nothing, but I would fain ask
who was Katherine Wilhelmina Schweickhardt? I have in my possession a
series of eight etchings of studies of cattle, by H.W. Schweickhardt,
published in 1786, and dedicated to Benjamin West. My father was very
intimate with Schweickhardt, and I think acted in some sort as his
executor. I do not know when be died but it must be thirty years since I
heard my father speak of his friend, who was then deceased, but whether
recently or not I cannot say. I am rather disposed to think the event
was comparatively a remote one: he left a widow. Was Mrs. Bilderdijk his
daughter? The etchings are exceedingly clever and artistical; my copy
has the artist's name in his own handwriting. If I am not mistaken,
Schweickhardt lived, when my father knew him, at Lambeth, then a
picturesque suburb very unlike the "base, common, and popular" region
which it has since become. B.T. Pouncy, another clever artist of that
day, and a friend of my father's, resided there also. Pouncy published
some etchings which, although not professedly views of Lambeth, were in
reality studies in that locality. When I was a boy I remember my father
pointing out to me the Windmill, which was the subject of one of them.
The Mrs. Bilderdijk who translated Roderick, was, according to Southey,
the second wife of her husband. How did JANUS DOUSA learn that her
maiden name was Schweickhardt?
G.J. DE WILDE. {379}
_Noli me tangere_ (Vol. ii., p. 153.).--In addition to the list of
artists given by J.Z.P. (p. 253.), BR. will find that the subject has
also been treated by--
_Duccio_, in the Duomo at Siena.
_Taddeo Gaddi_, Rinnucini Chapel.
_Titian_, Mr. Roger's Collection.
_Rembrandt_, Queen's Gallery.
_Barroccio_. An altar piece which came to England with the Duke of
Lucca's paintings, but I cannot say where it is now; it is well known by
the engraving from it of Raphael Morgen.
B.N.C.
_Chimney Money_ (Vol. ii., pp. 12
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