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RUBENS. S.L. BENSUSAN. WHISTLER. T. MARTIN WOOD. HOLBEIN. S.L. BENSUSAN. BURNE-JONES. A. LYS BALDRY. VIGEE LE BRUN. C. HALDANE MACFALL. CHARDIN. PAUL G. KONODY. FRAGONARD. C. HALDANE MACFALL. MEMLINC. W.H.J. & J.C. WEALE. CONSTABLE. C. LEWIS HIND. RAEBURN. JAMES L. CAW. JOHN S. SARGENT. T. MARTIN WOOD. LAWRENCE. S.L. BENSUSAN. DUERER. H.E.A. FURST. MILLET. PERCY M. TURNER. WATTEAU. C. LEWIS HIND. HOGARTH. C. LEWIS HIND. MURILLO. S.L. BENSUSAN. WATTS. W. LOFTUS HARE. INGRES. A.J. FINBERG. Others in Preparation. The Publishers have to acknowledge the permission of Mrs. Watts to reproduce the series of paintings here included. [Illustration: IN SEMPITERNUM.] LIST OF ILLUSTRATIONS Plate I. Death crowning Innocence Frontispiece At the Tate Gallery II. The Minotaur At the Tate Gallery III. Hope At the Tate Gallery IV. Thomas Carlyle At the South Kensington Museum V. Love and Life At the Tate Gallery VI. Love Triumphant At the Tate Gallery VII. The Good Samaritan At the Manchester Art Gallery VIII. Prayer At the Manchester Art Gallery [Illustration] I A BIOGRAPHICAL OUTLINE In July of 1904 the eighty-seven mortal years of George Frederick Watts came to an end. He had outlived all the contemporaries and acquaintances of his youth; few, even among the now living, knew him in his middle age; while to those of the present generation, who knew little of the man though much of his work, he appeared as members of the Ionides family, thus inaugurating the series of private and public portraits for which he became so famous. The Watts of our day, however, the teacher first and the painter afterwards, had not yet come on the scene. His first aspiration towards monumental painting began in the year 1843, when in a competition for the decoration of the Houses of Parliament he gained a prize of L300 for his cartoon of "Caractacus led Captive through the Streets of Rome." At this time, when history was claiming pictorial art as her servant and expositor, young Watts carried off the prize against the whole of his competitors. This company included the well-known historical painter Haydon, who, from a sense of the impossi
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