last were the
least successful of her works.

Her "Cinderella" is delightful; the two "Merry Wives of Windsor," sitting
on the basket in which Falstaff is hidden, and from which he is pushing
out a hand, is an excellent illustration of this ever-amusing story, and,
indeed, all her pictures of this class may well be praised.

To the Exposition of 1900 she sent an allegorical picture, called "The
Gold Mine." A young woman in gold drapery drops gold coins from her
hands. In the background is the entrance to a mine, lighted dimly by a
miner's lamp, while a pickaxe lies at the feet of the woman; this picture
was accorded a bronze medal.

<b>ADAM, MME. NANNY.</b> First prize from the Union of Women Painters and
Sculptors, Paris. Medal from the Salon des Artistes Francais, and "honors
in many other cities." Member of the Societe des Artistes Francais. Born
at Crest (Drome). Her studies were made under Jean Paul Laurens. Her
pictures called "Calme du Soir" and "Le Soir aux Martignes" are in
private collections. "Les Remparts de la Ville Close, Concarneau,"
exhibited at the Salon Artistes Francais in 1902, was purchased by the
French Government. In 1903 she exhibited "June Twilight, Venice," and
"Morning Fog, Holland."

<b>ADELSPARRE, SOPHIE ALBERTINE.</b> Born in Oland 1808-62. In Stockholm
she received instruction from the sculptor Ovarnstroem and the painter
Ekman; after her father's death she went to Paris and entered the atelier
of Cogniet, and later did some work under the direction of her countrymen
Wickenberg and Wahlbom. She had, at this time, already made herself known
through her copies of some of the Italian masters and Murillo. Her copy
of the Sistine Madonna was placed by Queen Josephine in the Catholic
church at Christiania. After her return from Dresden where she went from
Paris, she painted portraits of King Oscar and Queen Josephine. In 1851,
having received a government scholarship, she went to Munich, Bologna,
and Florence, and lived three years and a half in Rome, where she was
associated with Fogelberg, Overbeck, and Schnetz, and became a Catholic.
During this time she copied Raphael's "Transfiguration," now in the
Catholic church at Stockholm, and painted from life a portrait of Pius
IX. for the castle at Drottningholm. She also painted a "Roman Dancing
Girl" and a "Beggar Girl of Terracina."

<b>AHRENS, ELLEN WETHERALD.</b> Second Toppan prize, Pennsylvania Academy
of Fine Arts. Second p