to circular_.]

<b>KEMP-WELCH, LUCY ELIZABETH.</b> Fellow and Associate of Herkomer School,
and member of the Royal Society of British Artists. Born at Bournemouth,
1869. Has exhibited annually at the Royal Academy since 1894. In 1897 her
picture of "Colt Hunting in the New Forest" was purchased by the trustees
of the Chantrey Bequest; in 1900 that of "Horses Bathing in the Sea" was
bought for the National Gallery at Victoria. In 1901 she exhibited "Lord
Dundonald's Dash on Lady-smith."

In July, 1903, in his article on the Royal Academy Exhibition, the editor
of the _Magazine of Art_, in enumerating good pictures, mentions: "Miss
Lucy Kemp-Welch's well-studied 'Village Street' at dusk, and her clever
'Incoming Tide,' with its waves and rocks and its dipping, wheeling sea
gulls."

Mr. Frederick Wetmore, in writing of the Spring Exhibition of the Royal
Painter Etchers, says: "Miss Kemp-Welch, whose best work, so delicate
that it could only lose by the reduction of a process block, shows the
ordinary English country, the sign-post of the crossways, and the sheep
along the lane."

[_No reply to circular_.]

<b>KENDELL, MARIE VON.</b> Born in Lannicken, 1838. Pupil of Pape, Otto von
Kameke, and Dressier. She travelled in England, Italy, and Switzerland,
and many of her works represent scenes in these countries. In 1882 she
painted the Cadinen Peaks near Schluderbach, in the Ampezzo Valley. At
the exhibition of the Women Artists in Berlin, 1892, she exhibited two
mountain landscapes and a view of "Clovelly in Devonshire." The last was
purchased by the Emperor. To the same exhibition in 1894 she contributed
two Swiss landscapes, which were well considered.

<b>KIELLAND, KITTY.</b> Sister of the famous Norwegian novelist, Alexander
Kielland. Her pictures of the forests and fjords of Norway are the best
of her works and painted _con amore._ Recently she exhibited a portrait
which was much praised and said to be so fresh and life-like in
treatment, so flexible and vivacious in color, that one is involuntarily
attracted by it, without any knowledge of the original.

<b>KILLEGREW, ANNE.</b> Was a daughter of Dr. Henry Killegrew, a prebendary
of Westminster Cathedral. Anne was born in 1660, and when still quite
young was maid of honor to the Duchess of York, whose portrait she
painted as well as that of the future King James II. She also painted
historical subjects and still-life.

One of her admirers wrote