the Union of women painters and sculptors, and
vice-president from 1894 to 1900. Pupil of Henry Delacroix in painting in
oils and of Jules Garnier in water-colors.

Mme. Delacroix-Garnier has painted numerous portraits; among them those
of the Dowager Duchess d'Uzes, Jules Garnier, and the Marquis Guy de
Charnac, the latter exhibited at the Salon des Artistes Francais, 1903.
At the same Salon in 1902 she exhibited the portrait of J. J. Masset,
formerly a professor in the Paris Conservatory.

Among her pictures are the "Happy Mother," "Temptation," "Far from
Paris," "Maternal Joys," and in the Salon des Artistes Francais, 1903,
"Youth which Passes."

<b>DELASALLE, ANGELE.</b> Honorable mention, Salon des Artistes Francais,
1895; third-class medal, 1897; second-class medal, 1898; travelling
purse, 1899; Prix Piot, of the Institute, 1899; silver medal, Paris
Exposition, 1900. Member of the Societe des Artistes Francais, the
Societe Nationale des Beaux-Arts, Societe des prix du Salon et boursiers
de voyage de la Societe Nationale. Born in Paris. Pupil of Jean Paul
Laurens and Benjamin-Constant.

Her picture of "Diana in Repose" is in the collection of Alphonse de
Rothschild; "Return from the Chase," a prehistoric scene, purchased by
the Government; "The Forge," in the Museum of Rouen, where is also a
"Souvenir of Amsterdam." Portrait of Benjamin-Constant and several other
works of Mlle. Delasalle are in the Luxembourg; other pictures in the
collections Demidoff, Coquelin, Georges Petit, etc.

At the Salon des Artistes Francais, 1902, this artist exhibited the
portrait of M. Constant and the "Roof-Maker." At the Salon des
Beaux-Arts, 1903, "The Park at Greenwich," "The Pont Neuf," "On the
Thames," and a portrait in oils; and in water-colors, "The Coliseum,
Rome," "A Tiger Drinking," "A Lion Eating," "Head of a Lion," "The
Forge," etc.

In the _Magazine of Art_, June, 1902, B. Dufernex writes of Mlle.
Delasalle essentially as follows: This artist came into notice in 1895 by
means of her picture of "Cain and Enoch's Daughters." Since then her
annual contributions have demonstrated her gradual acquirement of
unquestionable mastery of her art. Her characteristic energy is such that
her sex cannot be detected in her work; in fact, she was made the first
and only woman member of the International Association of Painters under
the impression that her pictures--signed simply A. Delasalle--were the
work of a man. Attracte