s and
bishops; many dukes; and the nobility of both sexes thought themselves
happy in increasing the revenues of this venerable house, to ensure
themselves a place of burial therein." The story of the burial of St.
Joseph of Arimathaea at Glastonbury, to us a mere shadowy legend, was
accepted as a fact in the early English ages, and that it figured in the
mind of these worthies as endowing Glastonbury with extraordinary sanctity
is beyond doubt.
At the time of the Dissolution no corruption whatever was revealed at
Glastonbury, nor any blame recorded against its management. It was still
doing splendid work, having daily services and extending its educational
influence for miles around. There was but scanty comfort for its inmates,
who rested on a straw mattress and bolster on their narrow bedstead in a
bare cell, and whose food, duties and discipline were marked by an austere
simplicity. Nor were they idle, these monks of Glastonbury--some taught in
the abbey school, others toiled in the orchards, and the beauty of the
stained glass, designed within the abbey walls, found fame far and wide.
Richard Whiting was Abbot of Glastonbury when, in 1539, Henry VIII.
ordered inquiries to be made into the condition and property of the abbey.
Altho he recognized the monarch as supreme head of the church, he
respected the Glastonbury traditions and met the "visitors" in a spirit of
passive resistance. With the object of preserving them from desecration,
the abbot had concealed some of the communion vessels, and for this
offense the venerable man was tried and condemned to death. His head,
white with the touch of eighty years, was fixt upon the abbey gate, and
the rest of his body quartered and sent to Bath, Wells, Bridgwater, and
Ilchester. The abbey building--one of the most perfect examples of
architecture in the land--served as a stone quarry, much of the material
being used to make a road over the fenland from Glastonbury to Wells. The
revenue at the time of the Dissolution was over L3,000, a big income in
those days.
TINTERN [Footnote: From "The Abbeys of Great Britain."]
BY H. CLAIBORNE DIXON
More than one great artist has immortalized the secluded vale, where, on a
bend of the Wye and surrounded by wooded hills, the ruins of Tintern Abbey
stand. The somber-looking heights, which close in to the east and west,
create the atmosphere of loneliness and separation from the world so
sought after by the Cistercian mon
|