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complished rider, than you would if taught by a foreigner, but, as has already been said, you will learn more rapidly at first, an the result, if you choose to work hard, will be much the same. Should you, by way of experiment, choose to take lessons from both native and foreign masters, you will find each frankly ready to admit the merits of the other, and to acknowledge that he himself is better suited to some pupils than to others and, to come back to what was told you at the outset, you will find them unanimous in assuring you that your best teacher, the instructor without whose aid you can learn nothing, is yourself, your slightly rebellious, but withal clever, American self. You can learn, Esmeralda. There is no field of knowledge into which the American woman has attempted to enter, in which she has not demonstrated her ability to compete, when she chooses to put forth all her energy, with her sisters of other nations, but she must work, and must work steadily. There are American teachers of grammar who cannot parse; American female journalists who cannot write; American women calling themselves doctors, but unable to make a diagnosis between the cholera and the measles; and American women practising law and dependent for a living on blatant self-advertising, but with the faculties of Vassar and Wellesley in existence; with the editor of Harper's Bazar receiving the same salary as Mr. Curtis; with American women acknowledged as a credit to the medical and to the legal profession--what of it? The American woman can learn anything, can do anything. Do you learn to ride, and, having done it, "keep riding." At present you have received just sufficient instruction to qualify you to ride properly escorted, on good roads, but-- "KEEP RIDING!" ***END OF THE PROJECT GUTENBERG EBOOK IN THE RIDING-SCHOOL; CHATS WITH ESMERALDA*** ******* This file should be named 10539.txt or 10539.zip ******* This and all associated files of various formats will be found in: http://www.gutenberg.net/1/0/5/3/10539 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of
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