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The Project Gutenberg EBook of The Grand Inquisitor, by Feodor Dostoevsky This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Grand Inquisitor Author: Feodor Dostoevsky Translator: H. P. Blavatsky Posting Date: June 28, 2010 [EBook #8578] Release Date: July, 2005 First Posted: July 25, 2003 Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE GRAND INQUISITOR *** Produced by Jake Jaqua. HTML version by Al Haines. THE GRAND INQUISITOR By Feodor Dostoevsky (Translation by H.P. Blavatsky) [Dedicated by the Translator to those sceptics who clamour so loudly, both in print and private letters--"Show us the wonder-working 'Brothers,' let them come out publicly--and we will believe in them!"] [The following is an extract from M. Dostoevsky's celebrated novel, The Brothers Karamazof, the last publication from the pen of the great Russian novelist, who died a few months ago, just as the concluding chapters appeared in print. Dostoevsky is beginning to be recognized as one of the ablest and profoundest among Russian writers. His characters are invariably typical portraits drawn from various classes of Russian society, strikingly life-like and realistic to the highest degree. The following extract is a cutting satire on modern theology generally and the Roman Catholic religion in particular. The idea is that Christ revisits earth, coming to Spain at the period of the Inquisition, and is at once arrested as a heretic by the Grand Inquisitor. One of the three brothers of the story, Ivan, a rank materialist and an atheist of the new school, is supposed to throw this conception into the form of a poem, which he describes to Alyosha--the youngest of the brothers, a young Christian mystic brought up by a "saint" in a monastery--as follows: (--Ed. Theosophist, Nov., 1881)] "Quite impossible, as you see, to start without an introduction," laughed Ivan. "Well, then, I mean to place the event described in the poem in the sixteenth century, an age--as you must have been told at school--when it was the great fashion among poets to make the denizens and powers of higher worlds descend on earth and mix freely with mortals..
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