ed by Trelawny. They were bathing in the Arno, when Shelley, who
could not swim, plunged into deep water, and "lay stretched out at the
bottom like a conger eel, not making the least effort or struggle to
save himself." Trelawny fished him out, and when he had taken breath he
said: "I always find the bottom of the well, and they say Truth lies
there. In another minute I should have found it, and you would have
found an empty shell. Death is the veil which those who live call life;
they sleep, and it is lifted." Yet being pressed by his friend, he
refused to acknowledge a formal and precise belief in the
imperishability of the human soul. "We know nothing; we have no
evidence; we cannot express our inmost thoughts. They are
incomprehensible even to ourselves." The clear insight into the
conditions of the question conveyed by the last sentence is very
characteristic of Shelley. It makes us regret the non-completion of his
essay on a "Future Life", which would certainly have stated the problem
with rare lucidity and candour, and would have illuminated the abyss of
doubt with a sense of spiritual realities not often found in combination
with wise suspension of judgment. What he clung to amid all perplexities
was the absolute and indestructible existence of the universal as
perceived by us in love, beauty, and delight. Though the destiny of the
personal self be obscure, these things cannot fail. The conclusion of
the "Sensitive Plant" might be cited as conveying the quintessence of
his hope upon this most intangible of riddles.
Whether the Sensitive Plant, or that
Which within its boughs like a spirit sat,
Ere its outward form had known decay,
Now felt this change, I cannot say.
I dare not guess; but in this life
Of error, ignorance, and strife,
Where nothing is, but all things seem,
And we the shadows of the dream:
It is a modest creed, and yet
Pleasant, if one considers it,
To own that death itself must be,
Like all the rest, a mockery.
That garden sweet, that lady fair,
And all sweet shapes and odours there,
In truth have never passed away:
'Tis we, 'tis ours, are changed; not they.
For love, and beauty, and delight,
There is no death nor change; their might
Exceeds our organs, which endure
No light, being themselves obscure.
But it is now time to return from this digression to the poem which
suggested it, and which, more th
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