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dge the resemblance at all," said Miriam, looking narrowly at the sketch; "and, as I have drawn the face twenty times, I think you will own that I am the best judge." A discussion here arose, in reference to Guido's Archangel, and it was agreed that these four friends should visit the Church of the Cappuccini the next morning, and critically examine the picture in question; the similarity between it and the sketch being, at all events, a very curious circumstance. It was now a little past ten o'clock, when some of the company, who had been standing in a balcony, declared the moonlight to be resplendent. They proposed a ramble through the streets, taking in their way some of those scenes of ruin which produced their best effects under the splendor of the Italian moon. CHAPTER XVI A MOONLIGHT RAMBLE The proposal for a moonlight ramble was received with acclamation by all the younger portion of the company. They immediately set forth and descended from story to story, dimly lighting their way by waxen tapers, which are a necessary equipment to those whose thoroughfare, in the night-time, lies up and down a Roman staircase. Emerging from the courtyard of the edifice, they looked upward and saw the sky full of light, which seemed to have a delicate purple or crimson lustre, or, at least some richer tinge than the cold, white moonshine of other skies. It gleamed over the front of the opposite palace, showing the architectural ornaments of its cornice and pillared portal, as well as the iron-barred basement windows, that gave such a prison-like aspect to the structure, and the shabbiness and Squalor that lay along its base. A cobbler was just shutting up his little shop, in the basement of the palace; a cigar vender's lantern flared in the blast that came through the archway; a French sentinel paced to and fro before the portal; a homeless dog, that haunted thereabouts, barked as obstreperously at the party as if he were the domestic guardian of the precincts. The air was quietly full of the noise of falling water, the cause of which was nowhere visible, though apparently near at hand. This pleasant, natural sound, not unlike that of a distant cascade in the forest, may be heard in many of the Roman streets and piazzas, when the tumult of the city is hushed; for consuls, emperors, and popes, the great men of every age, have found no better way of immortalizing their memories than by the shifting, indestr
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