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of course, be intolerably ridiculous, seems in him the result of his natural precocity; and this precocity ought to be forgiven him, inasmuch as it comes to him from God. In consequence of his unfortunate birth Monsieur Dorlange is less fitted than most men to judge of children in their homes, and he therefore, necessarily, shows a want of indulgence. But he had better take care; if he wishes to pay court to me merely as a friend he has chosen a very bad method of doing so. Of course an evening in the midst of the family did not allow of his returning to the subject of his private history; but I thought he did not show any particular desire to do so. In fact, he occupied himself much more with Nais than with me, cutting out silhouettes in black paper for her during nearly the whole evening. I must also mention that Madame de Rastignac came in and I, on my side, was obliged to give my company to her. While we were conversing near the fire, Monsieur Dorlange at the other end of the room was posing the two children Nais and Rene, who presently brought me their likenesses snipped out with scissors, Nais whispering triumphantly in my ear:-- "You don't know; but Monsieur Dorlange is going to make my bust in marble." Since this family dinner, civil war has been declared among my children. Nais extols to the skies her "dear preserver," as she calls him, and is supported in her opinion by Rene, who is delivered over to the sculptor body and soul in return for a superb lancer on horseback which Monsieur Dorlange cut out for him. Armand, on the contrary, thinks him ugly, which is undeniable; he says he resembles the portraits of Danton which he has seen in the illustrated histories of the Revolution, in which remark there is some truth. He says also that Monsieur Dorlange has given me in my bust the air of a grisette, which is not true at all. Hence, disputes among my darlings which are endless. IX. DORLANGE TO MARIE-GASTON Paris, April, 1839. Why do I desert my art, and what do I intend to do in this cursed galley of politics? This shows what it is, my dear romantic friend, to shut one's self up for years in a conjugal convent. During that time the world has progressed. To friends forgotten at the gate life brings new combinations; and the more they are ignored, the more disposed the forgetter is to cast the blame upon those forgotten; it is so easy to preach to others! Learn, then, my dear inquisitor, th
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