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The Project Gutenberg eBook, Miss Pat at School, by Pemberton Ginther This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Miss Pat at School Author: Pemberton Ginther Release Date: October 16, 2007 [eBook #22995] Language: English Character set encoding: ISO-646-US (US-ASCII) ***START OF THE PROJECT GUTENBERG EBOOK MISS PAT AT SCHOOL*** E-text prepared by Al Haines Note: Project Gutenberg also has an HTML version of this file which includes the original illustration. See 22995-h.htm or 22995-h.zip: (http://www.gutenberg.net/dirs/2/2/9/9/22995/22995-h/22995-h.htm) or (http://www.gutenberg.net/dirs/2/2/9/9/22995/22995-h.zip) MISS PAT AT SCHOOL by PEMBERTON GINTHER Frontispiece by the Author [Frontispiece: PATRICIA TOILED ALL AFTERNOON WITH THE ARDOR OF IGNORANCE AND HOPE.] Philadelphia The John C. Winston Company Publishers Copyright, 1915, by The John C. Winston Company. TO NANCY CONTENTS CHAPTER I. THE TWO NEW STUDENTS II. GETTING ACQUAINTED III. ANTICIPATION IV. THE INITIATIONS V. THE GHOST DANCE VI. AFTERMATH VII. DAVID'S TREAT VIII. SMOOTH WATERS IX. THE ACADEMY BALL X. THE PRIZE DESIGNS XI. THE LITTLE RIFT XII. JUDITH'S DISCOVERY XIII. RESTITUTION XIV. NEW QUARTERS AND OLD FRIENDS XV. AFTERNOON TEA XVI. APRIL SHOWERS XVII. FAREWELL TO THE STUDIO Miss Pat at School CHAPTER I THE TWO NEW STUDENTS "Isn't it jolly--to be here in a real Academy of Fine Arts, just like all the famous artists when they were young and unknown? Doesn't it make you feel all excited and quivery, Norn?" asked Patricia, as she fitted her key into the narrow gray locker with an air of huge enjoyment. "I don't see how you can look so cool. You are as calm and refrigerated as a piece of the North Pole." Elinor smiled and her shining eyes traveled down the wide dim corridor with its rows of battered gray lockers, past the confusion of chairs and easels that clustered around the big screen of the composition room, straight into the farthest nook of the great bare work rooms beyond, where an array of heroic-sized whi
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