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the most knowledge to appreciate. =Scientific Color.=--To the scientist color is simply the irritation of the nerves of the retina of the eye by the waves of light. Different wave lengths give different color sensations. It is the generally accepted theory now that there are three primary sensations; that is, that the eye is sensitive to three kinds of color, and that all other shades and varieties of color are the results of mingling or overlapping of the waves which produce those three colors, and irritating more or less the nerves sensitive to each color simultaneously. These three primary colors are now stated to be red, blue, and _green_. The older idea was that they were red, blue, and _yellow_; and was based on experiments with pigments. Pigments do give these results; for a mixture of blue and yellow _pigment_ will give green, and a mixture of red and green _pigment_ will not give yellow, while the reverse is the fact with _light_. White light is composed of all the colors. And the white light may be broken up (separated by refraction or the turning aside of light rays from their true course) into the colors of the rainbow, which is itself only this same decomposition of light by atmospheric refraction. Black is the absence of light, and consequently of color. This is not the case with pigment, for pure pigment has never been produced. The pigment simply reflects light rays which fall on it; that is, pigments have the power of absorbing, and so rendering invisible, certain of the rays which, combined, make up the white light which illumines them; and of transmitting others to the eye by reflection. We see, that is, our nerves of sight are irritated by, those rays which are not absorbed, but which are reflected. All pigment is more or less absorbent of color rays, and more or less reflective of them; certain color rays being absorbed by a pigment, and certain other rays being reflected by it. The pigment is named according to those rays which it reflects. As a color-producing substance, then, the pigment is practically a mirror reflecting color rays. But a true mirror would reflect all rays unmodified. If we could paint with mirrors, each of which would reflect its own color _unsullied_, we could do what the scientist does with light; but the painter deals with an imperfect mirror which gives no color rays back unsullied by rays of another class, and so our results cannot be the same as the scientist's. So
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