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s would be lost in shade,--that this far greater space, and this far more complicated arrangement, should be all summed up into one round mass, with one swell of white, and one flat side of unbroken gray, is considered an evidence of the sublimest powers in the artist of generalization and breadth. Now it may be broad, it may be grand, it may be beautiful, artistical, and in every way desirable. I don't say it is not--I merely say it is a concentration of every kind of falsehood: it is depriving heaven of its space, clouds of their buoyancy, winds of their motion, and distance of its blue. Sec. 13. Imperfect conceptions of this size and extent in ancient landscape. This is done, more or less, by all the old masters, without an exception.[32] Their idea of clouds was altogether similar; more or less perfectly carried out, according to their power of hand and accuracy of eye, but universally the same in conception. It was the idea of a comparatively small, round, puffed-up white body, irregularly associated with other round and puffed-up white bodies, each with a white light side, and a gray dark side, and a soft reflected light, floating a great way below a blue dome. Such is the idea of a cloud formed by most people; it is the first, general, uncultivated notion of what we see every day. People think of the clouds as about as large as they look--forty yards over, perhaps; they see generally that they are solid bodies subject to the same laws as other solid bodies, roundish, whitish, and apparently suspended a great way under a high blue concavity. So that these ideas be tolerably given with smooth paint, they are content, and call it nature. How different it is from anything that nature ever did, or ever will do, I have endeavored to show; but I cannot, and do not, expect the contrast to be fully felt, unless the reader will actually go out on days when, either before or after rain, the clouds arrange themselves into vigorous masses, and after arriving at something like a conception of their distance and size, from the mode in which they retire over the horizon, will for himself trace and watch their varieties of form and outline, as mass rises over mass in their illuminated bodies. Let him climb from step to step over their craggy and broken slopes, let him plunge into the long vistas of immeasurable perspective, that guide back to the blue sky; and when he finds his imagination lost in their immensity, an
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