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om politicians or economic interests. The aim is also to ensure respect for the volunteers, who can be confident their work will be used not just for decades but for centuries. Volunteers can network through mailing lists and weekly or monthly newsletters. Donations are used to buy equipment and supplies, mostly computers and scanners. Founded in 2000, the PGLAF (Project Gutenberg Literary Archive Foundation) has only three part-time employees. More generally, Michael should be given more credit as the real inventor of the eBook. If we consider the eBook in its etymological sense, that is to say a book that has been digitized to be distributed as an electronic file, it is now 34 years old and was born with Project Gutenberg in July 1971. This is a much more comforting paternity than the various commercial launchings in proprietary formats that peppered the early 2000s. There is no reason for the term "eBook" to be the monopoly of Amazon, Barnes & Noble, Gemstar and others. The non-commercial eBook is a full eBook, and not a "poor" version, just as non-commercial ePublishing is a fully-fledged way of publishing, and as valuable as commercial ePublishing. Project Gutenberg eTexts are now called eBooks, to use the recent terminology in the field. In July 1971, sending a 5K file to 100 people would have crashed the network of the time. In November 2002, Project Gutenberg could post the 75 files of the Human Genome Project, with files of dozens or hundreds of megabytes, shortly after its initial release in February 2001, because it was public domain. In 2004, a computer hard disk costing US$140 could potentially hold the entire Library of Congress. And we probably are only a few years away from a storage disk capable of holding all the print media of our planet. What about documents other than text? In September 2003, Project Gutenberg launched Project Gutenberg Audio eBooks. As of 2005, there are 391 computer-generated audio books and a few human-read audio books. The number of human-read eBooks should greatly increase over the next few years. As for computer-generated eBooks, it seems they won't be stored in a specific section any more, but "converted" when requested from the existing electronic files in the main collections. Voice-activated requests will be possible, as a useful tool for visually impaired readers. Launched at the same time, The Sheet Music Subproject is dedicated to digitized music sheet. It also c
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