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res, narrating how we had touched there, all well on board; so, as soon as we were reported as being sighted in the Channel, dad was on the watch to be the first to greet me, coming down specially to Gravesend to board the ship as soon as she entered the river. I need not describe the meeting with dad in the first place, nor the way in which my mother and sisters, dear little Tot included, welcomed me? Hardly! Jake must have the last word, though; for, it was only through his faithfulness that I had been preserved during all our perils on the sea. You must remember that, not only did he save me from drowning in the first instance, when the vessel capsized; but, it was mainly through his watchful attentions that my life was saved during the time that I was exposed on the hull of the ship while she was on her beam-ends. "Golly, Massa Eastman," he cried out to dad the moment he put foot on board the _Josephine_, "I'se look arter Mass' Tom, as I promiss, suah, and here he am, sah, safe an' sound!" So I was; but, in spite of that, I have never forgotten my experiences of the Sargasso Sea, nor The White Squall. THE END. End of Project Gutenberg's The White Squall, by John Conroy Hutcheson *** END OF THIS PROJECT GUTENBERG EBOOK THE WHITE SQUALL *** ***** This file should be named 21088.txt or 21088.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/1/0/8/21088/ Produced by Nick Hodson of London, England Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given aw
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