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he herself knew not even how to begin. An artist engrossed in his work heeds not what is going on around him. The painter in this instance wore a simple canvas jacket, spotted with oil and colours here and there, and a straw hat, broad of brim and ventilated with abundant holes. The princess, looking over his shoulder, was far less interested in the painter than in his work. Indeed, the artist himself was so absorbed in his task that, to save time, he held one of his brushes crosswise between his teeth while he worked with the other. Yet the instinct of politeness impelled him, as soon as he heard the rustle of a lady's skirt behind him, to remove his broad-brimmed hat and place it on the floor at his side. "Manasseh!" Startled surprise and gladness spoke in that word, which slipped out ere the speaker's discretion could prevent it. The young man turned quickly. "Princess!" he exclaimed, "where did you drop from?" "I was not looking for you," she stammered, thus betraying that she had been seeking him and was rejoiced, heart and soul, at the chance that had led her to him. Manasseh smiled. "No, not for me, but for the painter wrestling with the Colosseum from this lofty roost. I saw you yesterday attempting the same task from below." "And you recognised me--so far off?" "I have very good eyes. I also saw that you were dissatisfied with your attempts, for you tore out one leaf after another from your sketch-book and threw them away." "Did you find them again?" asked Blanka, breathlessly. "I made it a point to do so, Princess," was the reply. "Oh, then give them back to me, please!" "Here they are." No creditor ever did his distressed debtor a greater favour in surrendering to him an overdue note than did Manasseh in restoring the lost leaves to their owner. She replaced them carefully in her sketch-book, assuring herself, as she did so, that the missing address was on the blank side of one of them. What if it had caught the young man's eye? How would he have explained its presence there? She sat down to rest a moment on the stone railing of the gallery, her back to the arena and her face toward Manasseh,--an arrangement that very much interfered with the artist's view of what he was painting. The sun shone directly in her eyes, and she had no sunshade, having left hers in the carriage. The arena was so shaded that she had needed none there. Manasseh adjusted his umbrella so as to shield th
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