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ss, also, that it is well to have a switch in the kitchen to throw light in the basement, on the chance that the wood-box may get empty before the evening has spent itself. There is comfort, too, in not being forced to go darkling to bed, like Childe Roland to the tower, but to put out the light from the floor above. But we are carrying this business too far in mental concerns. Here is properly a place for a rare twilight. It is not well that a man should always flare himself like a lighted ballroom. Much of our best mental stuff--if you exclude the harsher grindings of our business hours--fades in too coarse a light. 'Tis a brocade that for best preservation must not be hung always in the sun. There must be regions in you unguessed at--cornered and shadowed places--recesses to be shown at peep of finger width, yielding only to the knock of fancy, dim sequesterings tucked obscurely from the noises of the world, where one must be taken by the hand and led--dusky closets beyond the common use. It is in such places--your finger on your lips and your feet a-tiptoe on the stairs--that you will hide away from baser uses the stowage of moonlight stuff and such other gaseous and delightful foolery as may lie in your inheritance. [Illustration] HOOPSKIRTS & OTHER LIVELY MATTER [Illustration] HOOPSKIRTS & OTHER LIVELY MATTER Several months ago I had occasion to go through a deserted "mansion." It was a gaunt building with long windows and it sat in a great yard. Over the windows were painted scrolls, like eyebrows lifted in astonishment. Whatever was the cause of this, it has long since departed, for it is thirty years since the building was tenanted. It would seem as if it fell asleep--for so the blinds and the drawn curtains attest--before the lines of this first astonishment were off its face. I am told that the faces of men dead in battle show in similar fashion the marks of conflict. But there is a shocked expression on the face of this house as if a scandal were on the street. It is crying, as it were, "Fie, shame!" upon its neighbors. Inside there are old carpets and curtains which spit dust at you if you touch them. (Is there not some fabulous animal which does the same, thereby to escape in the mirk it has itself created?) Most of the furniture has been removed, but here and there bulky pieces remain, an antique sideboard, maybe too large to be taken away; like Robinson Crusoe's boat, too he
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