FREE BOOKS

Author's List




PREV.   NEXT  
|<   219   220   221   222   223   224   225   226   227   >>  
1] Ruskin observes that the smile on the lips of the Apollo Belvedere is inconsistent with divinity. [22] The false generalisations of childhood are well represented by Dickens when, in "Great Expectations," he makes Pip discover a singular affinity between seeds and corduroys. "Mr. Pumblechook wore corduroys, and so did his shopman, and somehow there was a general air and flavour about the corduroys so much in the nature of seeds, and such a general air and flavour about the seeds in the nature of corduroys that I hardly knew which was which." [23] Critias was one of the thirty tyrants who condemned him. [24] That the present style of men's dress is unbecoming strikes us forcibly when we see it reproduced in statues, where we are not used to it. [25] Cicero uses two corresponding words cavillatio and dicacitas, the former signifying continuous, the latter aphoristic humour. END. London: Printed by A. Schulze, 13 Poland Street. ***END OF THE PROJECT GUTENBERG EBOOK HISTORY OF ENGLISH HUMOUR, VOL. 2 (OF 2)*** ******* This file should be named 18906.txt or 18906.zip ******* This and all associated files of various formats will be found in: http://www.gutenberg.org/dirs/1/8/9/0/18906 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution. *** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WO
PREV.   NEXT  
|<   219   220   221   222   223   224   225   226   227   >>  



Top keywords:

corduroys

 

editions

 

PROJECT

 

GUTENBERG

 

trademark

 

domain

 
charge
 

Gutenberg

 
LICENSE
 
eBooks

Project

 
license
 
States
 

nature

 
United
 

copyright

 
permission
 

public

 
general
 

flavour


copying

 
distributing
 

generalisations

 

childhood

 

electronic

 

inconsistent

 

Belvedere

 

Apollo

 

registered

 

divinity


General

 

protect

 

concept

 
Foundation
 
Dickens
 

distribute

 

represented

 

Expectations

 

Special

 

paying


royalties

 

subject

 
commercial
 

redistribution

 
Redistribution
 
ANYTHING
 

printed

 
practically
 
observes
 

DISTRIBUTE