FREE BOOKS

Author's List




PREV.   NEXT  
|<   158   159   160   161   162   163   164   165   166   167   168   169   170   171   172   173   174   175   176   177   178   179   180   181   182  
183   184   185   186   187   188   189   190   191   192   193   194   195   196   197   198   199   200   201   202   203   204   205   206   207   >>   >|  
issful certainty; he knew no more than the dark aspect of things; the imperfection of even the sublimest, of his art and his love. Shakespeare's genius could breathe life into all things human, and he found satisfaction in doing so. Michelangelo's creative, plastic power seemed illimitable; he possessed all the gifts an artist could possibly have, but from year to year his conviction of the futility of all earthly things grew to a profounder certainty. He had knocked at the iron gate of humanity with his hammer and his chisel; they had broken into fragments and sorrow made him dumb. There is a stage in the life of every genius when he comes to this gate, when he has to show his credentials and reveal the inmost kernel of his being. Dante attempted to grasp the transcendental in one gigantic vision, Goethe timidly shrank back from it. In examining the prophets and youths in the Sistine Chapel, or the chained men in the Louvre, who seem unable to bear existence, and are therefore "slaves" of the earth; or in contemplating the half-finished slaves in the Boboli Gardens, who seem almost to burst the stone in their wild longing for a higher life; or in reading his last sonnets, we can conceive a vague idea of the deep melancholy darkening the life of this man, a gloom which was not the melancholy of the individual, but of all humanity, unable and unwilling to deceive itself further. Can there be a greater tragedy than the tragedy of this incomparable artist, looking back at the work of his lifetime with despair? For art and wit and passion fade and vanish, Countless achievements, ever new and great, Are naught but dross within the sight of heaven. To Vasari he sent a sonnet denouncing the artistic passion which abandons itself completely to art: Now know I well that that fond phantasy Which made my soul the worshipper and thrall Of earthly art is vain. (_Transl. by_ J.A. SYMONDS.) Faith, is to him "the mercy of mercies," for he has never possessed its deepest conviction. But the passion which burned in him remained unquelled to the last: his soul is torn between love and the thought of death. Flames of love And chill of death are battling in my heart. He longed to break away from love and find peace, and he called on death for delivery, but in vain: Burdened with years and full of sinfulness With evil customs grown invetera
PREV.   NEXT  
|<   158   159   160   161   162   163   164   165   166   167   168   169   170   171   172   173   174   175   176   177   178   179   180   181   182  
183   184   185   186   187   188   189   190   191   192   193   194   195   196   197   198   199   200   201   202   203   204   205   206   207   >>   >|  



Top keywords:

passion

 

things

 

earthly

 

conviction

 

unable

 

slaves

 

humanity

 

certainty

 

melancholy

 

genius


artist

 

tragedy

 

possessed

 
heaven
 

customs

 

denouncing

 
sonnet
 
naught
 

Vasari

 

greater


incomparable

 

deceive

 
invetera
 

individual

 

unwilling

 

Countless

 

vanish

 

achievements

 

artistic

 

lifetime


despair

 

worshipper

 

thought

 

Burdened

 

Flames

 

burned

 

sinfulness

 

remained

 

unquelled

 

called


delivery

 

battling

 

longed

 
deepest
 

phantasy

 

thrall

 

completely

 

Transl

 
mercies
 
SYMONDS