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he mind in its activity, for its own gratification, contemplates them as hanging. As when far off at sea a fleet descried _Hangs_ in the clouds, by equinoctial wind; Close sailing from Bengala, or the isles Of Ternate or Tidore, whence merchants bring Their spicy drugs; they on the trading flood Through the wide Ethiopian to the Cape Ply, stemming nightly toward the Pole; so seemed Far off the flying Fiend. Here is the full strength of the imagination involved in the word _hangs_, and exerted upon the whole image: First, the fleet, an aggregate of many ships, is represented as one mighty person, whose track, we know and feel, is upon the waters; but, taking advantage of its appearance to the senses, the Poet dares to represent it as _hanging in the clouds_, both for the gratification of the mind in contemplating the image itself, and in reference to the motion and appearance of the sublime objects to which it is compared. From impressions of sight we will pass to those of sound; which, as they must necessarily be of a less definite character, shall be selected from these volumes: Over his own sweet voice the Stock-dove _broods_; of the same bird, His voice was _buried_ among trees. Yet to be come at by the breeze; O, Cuckoo! shall I call thee _Bird_, Or but a wandering _Voice_? The stock-dove is said to _coo_, a sound well imitating the note of the bird; but, by the intervention of the metaphor _broods_, the affections are called in by the imagination to assist in marking the manner in which the bird reiterates and prolongs her soft note, as if herself delighting to listen to it, and participating of a still and quiet satisfaction, like that which may be supposed inseparable from the continuous process of incubation. 'His voice was buried among the trees,' a metaphor expressing the love of _seclusion_ by which this Bird is marked; and characterising its note as not partaking of the shrill and the piercing, and therefore more easily deadened by the intervening shade; yet a note so peculiar and withal so pleasing, that the breeze, gifted with that love of the sound which the Poet feels, penetrates the shades in which it is entombed, and conveys it to the ear of the listener. Shall I call thee Bird, Or but a wandering Voice? This concise interrogation characterises the seeming ubiquity of the voice of the cuckoo, and dispossesses the c
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