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ain't had no meetin' to settle just what raise we _are_ goin' to git. Now, Mr. Gibson, if I was runnin' this factory-- GIBSON: Well, what would you do? RILEY: The first thing I'd do, I'd see that the truck drivers didn't have no more discontent than nobody else. What becomes of your freight if you can't run no trucks? You got to look out, Mr. Gibson! It's us got the upper hand. GIBSON: Go call your meeting and find out what raise you're going to strike for. RILEY: Yes, sir; I'll do it. [_He goes out quickly._] NORA: [_amazed and rather gentle_]: Are you going to give them what they want? GIBSON: No; I only wanted to get rid of him a minute to think--or try to. NORA [_in a low voice, offended_]: Oh, excuse me! [_She is going out._] GIBSON: Stay here! [_He seems to approach a decision--one of desperation and anger. Then he speaks crisply, but more to himself than to_ NORA.] All right--they get it! [_Looks up at_ NORA, _gives her a frowning stare of some duration._] Tell Riley to call off his meeting, please. I want all those spokesmen for the departments here. I'll give them their answer now. [NORA _looks at him, puzzled, bites her lip, and goes out quickly into the factory._ GIBSON'S _expression is determined; so is his action. He goes to the wall, brings two chairs, one in each hand, places them at the large table. Repeats this until he has chairs placed at the table on both sides and at the head as if for a directors' meeting. The door opens and_ SALVATORE, MIFFLIN, CARTER, RILEY, SHOMBERG, FRANKEL, _and_ SIMPSON _enter. They come in, speaking together; most of them talking somewhat ominously._] CROWD: Well, he better!... We ain't workin' for our health.... My whole department'll walk out!... You bet your life we're goin' to!... He needn't kid himself about our not meaning business! FRANKEL: Well, Mr. Gibson, we'd like to know what conclusion you come to. GIBSON: I'm going to tell you. Simpson, please ask Miss Gorodna to step in. [SIMPSON _merely looks out of the door, and_ NORA _comes in quickly._] Carter, take that chair at the head of the table. Frankel, Salvatore, Shomberg, sit there, and there, and there! Riley, sit there. Simpson, there! Miss Gorodna, will you please sit here? [_They take the seats he indicates, but they look puzzled, somewhat perturbed; whisper and murmur to one another._] Thank you! There! That looks like
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