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Project Gutenberg's The Renaissance of the Vocal Art, by Edmund Myer This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Renaissance of the Vocal Art Author: Edmund Myer Release Date: July 8, 2004 [EBook #12856] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE RENAISSANCE OF THE VOCAL ART *** Produced by David Newman and PG Distributed Proofreaders The Renaissance of the Vocal Art A Practical Study of Vitality, Vitalized Energy, of the Physical, Mental and Emotional Powers of the Singer, through Flexible, Elastic Bodily Movements BY EDMUND J. MYER F.S. Sc. (London) _Author of "Truths of Importance to Vocalists," "The Voice from a Practical Stand-Point," "Voice-Training Exercises" (a study of the natural movements of the voice), "Vocal Reinforcement," "Position and Action in Singing," etc., etc._ 1902 "_When you see something new to you in art, or hear a proposition in philosophy you never heard before, do not make haste to ridicule, deny or refute. Possibly the trouble is with yourself--who knows?_" PREFACE. To my readers once again through this little work, greetings. For the many kind things said of my former works by my friends, my pupils, the critic and the profession, thanks! To those who have understood and appreciated the principles laid down in my last book, "Position and Action in Singing," I will say that this little work will be an additional help. To my readers in general, who may not have fully understood or appreciated the principles of vitality, of vitalized energy, aroused and developed through the movements set forth in my last book, to such I will say that I hope this little work will make clearer those principles. I hope that it may lead them to a better understanding of the fundamental principles of the system, principles which are founded upon natural laws and common sense. In this work I have endeavored to logically formulate my system. As it is not possible to fully study and develop any one fundamental principle of singing without some understanding or mastery of all others, so it is not possible to write a work like this without more or less repetition. Certain subjects are so clos
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