nly a Platonic
idea. The Club seems to have shaped itself around him as a nucleus of
crystallization, two or three friends of his having first formed the
habit of meeting him at dinner at "Parker's," the "Will's Coffee-House"
of Boston. This little group gathered others to itself and grew into a
club as Rome grew into a city, almost without knowing how. During its
first decade the Saturday Club brought together, as members or as
visitors, many distinguished persons. At one end of the table sat
Longfellow, florid, quiet, benignant, soft-voiced, a most agreeable
rather than a brilliant talker, but a man upon whom it was always
pleasant to look,--whose silence was better than many another man's
conversation. At the other end of the table sat Agassiz, robust,
sanguine, animated, full of talk, boy-like in his laughter. The stranger
who should have asked who were the men ranged along the sides of the
table would have heard in answer the names of Hawthorne, Motley, Dana,
Lowell, Whipple, Peirce, the distinguished mathematician, Judge Hoar,
eminent at the bar and in the cabinet, Dwight, the leading musical
critic of Boston for a whole generation, Sumner, the academic champion
of freedom, Andrew, "the great War Governor" of Massachusetts, Dr. Howe,
the philanthropist, William Hunt, the painter, with others not unworthy
of such company. And with these, generally near the Longfellow end of
the table, sat Emerson, talking in low tones and carefully measured
utterances to his neighbor, or listening, and recording on his mental
phonograph any stray word worth remembering. Emerson was a very regular
attendant at the meetings of the Saturday Club, and continued to dine at
its table, until within a year or two of his death.

Unfortunately the Club had no Boswell, and its golden hours passed
unrecorded.

CHAPTER IX.

1858-1863: AET. 55-60.

Essay on Persian Poetry.--Speech at the Burns Centennial
Festival--Letter from Emerson to a Lady.--Tributes to Theodore Parker
and to Thoreau.--Address on the Emancipation Proclamation.--Publication
of "The Conduct of Life." Contents: Fate; Power; Wealth; Culture;
Behavior; Worship; Considerations by the Way; Beauty; Illusions.

The Essay on Persian Poetry, published in the "Atlantic Monthly" in
1858, should be studied by all readers who are curious in tracing the
influence of Oriental poetry on Emerson's verse. In many of the shorter
poems and fragments published since "May-Day," as wel