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h comes to us from the Trimount oracle commands us, "Build, therefore, your own world. As fast as you conform your life to the pure idea in your mind, that will unfold its great proportions." The seer of Patmos foretells a heavenly Jerusalem, of which he says, "There shall in no wise enter into it anything which defileth." The sage of Concord foresees a new heaven on earth. "A correspondent revolution in things will attend the influx of the spirit. So fast will disagreeable appearances, swine, spiders, snakes, pests, mad-houses, prisons, enemies, vanish; they are temporary and shall be no more seen." * * * * * It may be remembered that Calvin, in his Commentary on the New Testament, stopped when he came to the book of the "Revelation." He found it full of difficulties which he did not care to encounter. Yet, considered only as a poem, the vision of St. John is full of noble imagery and wonderful beauty. "Nature" is the Book of Revelation of our Saint Radulphus. It has its obscurities, its extravagances, but as a poem it is noble and inspiring. It was objected to on the score of its pantheistic character, as Wordsworth's "Lines composed near Tintern Abbey" had been long before. But here and there it found devout readers who were captivated by its spiritual elevation and great poetical beauty, among them one who wrote of it in the "Democratic Review" in terms of enthusiastic admiration. Mr. Bowen, the Professor of Natural Theology and Moral Philosophy in Harvard University, treated this singular semi-philosophical, semi-poetical little book in a long article in the "Christian Examiner," headed "Transcendentalism," and published in the January number for 1837. The acute and learned Professor meant to deal fairly with his subject. But if one has ever seen a sagacious pointer making the acquaintance of a box-tortoise, he will have an idea of the relations between the reviewer and the reviewed as they appear in this article. The professor turns the book over and over,--inspects it from plastron to carapace, so to speak, and looks for openings everywhere, sometimes successfully, sometimes in vain. He finds good writing and sound philosophy, passages of great force and beauty of expression, marred by obscurity, under assumptions and faults of style. He was not, any more than the rest of us, acclimated to the Emersonian atmosphere, and after some not unjust or unkind comments with which many r
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