ur, and as that is the whole number of books, we have
a clear and, we believe, a very just estimate of the entire work.

Mr. Keats, however, deprecates criticism on this "immature and feverish"
work in terms which are themselves sufficiently feverish; and we confess
that we should have abstained from inflicting upon him any of the
tortures of the "_fierce hell_" of criticism, which terrify his
imagination, if he had not begged to be spared in order that he might
write more; if we had not observed in him a certain degree of talent
which deserves to be put in the right way, or which, at least, ought to
be warned of the wrong; and if, finally, he had not told us that he is
of an age and temper which imperiously require mental discipline.

Of the story we have been able to make out but little; it seems to be
mythological, and probably relates to the loves of Diana and Endymion;
but of this, as the scope of the work has altogether escaped us, we
cannot speak with any degree of certainty: and must therefore content
ourselves with giving some instances of its diction and versification.--
And here again we are perplexed and puzzled.--At first it appeared to
us, that Mr. Keats had been amusing himself and wearying his readers
with an immeasurable game at _bouts rimes_; but, if we recollect
rightly, it is an indispensable condition at this play, that the rhymes
when filled up shall have a meaning; and our author, as we have already
hinted, has no meaning. He seems to us to write a line at random, and
then he follows not the thought excited by this line, but that suggested
by the _rhyme_ with which it concludes. There is hardly a complete
couplet inclosing a complete idea in the whole book. He wanders from one
subject to another, from the association, not of ideas, but of sounds,
and the work is composed of hemistichs which, it is quite evident, have
forced themselves upon the author by the mere force of the catchwords on
which they turn....

Be still the unimaginable lodge
For solitary thinkings; such as dodge
Conception to the very bourne of heaven,
Then leave the naked brain: be still the leaven,
That spreading in this dull and clodded earth
Gives it a touch ethereal--a new birth. p. 17.

_Lodge, dodge--heaven, leaven--earth, birth_; such, in six words, is the
sum and substance of six lines.

We come now to the author's taste in versification. He cannot indeed
write a sentence, but perhaps he may be able to sp