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The Project Gutenberg EBook of The Custom of the Country, by Edith Wharton This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Custom of the Country Author: Edith Wharton Release Date: February 12, 2004 [EBook #11052] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE CUSTOM OF THE COUNTRY *** Produced by Steve Harris and PG Distributed Proofreaders THE CUSTOM OF THE COUNTRY by EDITH WHARTON 1913 THE CUSTOM OF THE COUNTRY I "Undine Spragg--how can you?" her mother wailed, raising a prematurely-wrinkled hand heavy with rings to defend the note which a languid "bell-boy" had just brought in. But her defence was as feeble as her protest, and she continued to smile on her visitor while Miss Spragg, with a turn of her quick young fingers, possessed herself of the missive and withdrew to the window to read it. "I guess it's meant for me," she merely threw over her shoulder at her mother. "Did you EVER, Mrs. Heeny?" Mrs. Spragg murmured with deprecating pride. Mrs. Heeny, a stout professional-looking person in a waterproof, her rusty veil thrown back, and a shabby alligator bag at her feet, followed the mother's glance with good-humoured approval. "I never met with a lovelier form," she agreed, answering the spirit rather than the letter of her hostess's enquiry. Mrs. Spragg and her visitor were enthroned in two heavy gilt armchairs in one of the private drawing-rooms of the Hotel Stentorian. The Spragg rooms were known as one of the Looey suites, and the drawing-room walls, above their wainscoting of highly-varnished mahogany, were hung with salmon-pink damask and adorned with oval portraits of Marie Antoinette and the Princess de Lamballe. In the centre of the florid carpet a gilt table with a top of Mexican onyx sustained a palm in a gilt basket tied with a pink bow. But for this ornament, and a copy of "The Hound of the Baskervilles" which lay beside it, the room showed no traces of human use, and Mrs. Spragg herself wore as complete an air of detachment as if she had been a wax figure in a show-window. Her attire was fashionable enough to justify such a post, and her pale soft-cheeked face, with puff
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