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nly a rather muddled careerist because he had too much adrenal and post-pituitary. But he was pituitocentric of a certain type. We possess no authentic portraits or busts of him to go by. But the bust in the Museum of Naples, for which he probably sat (some, H.G. Wells among them, will not accept this), presents the sort of face that is often seen in pituitary epileptics, and the features and skull of a pituitocentric: long, large, well-modeled head eyebrows prominent, with tendency to meet, aquiline nose and strong chin. In these three, Napoleon, Nietzsche and Caesar, we have male pituitocentrics, exhibiting diversities of life and tastes because of differences in the co-working endocrine glands in their makeup. We shall consider now a female pituitocentric who presents the strangest contrasts in physique, physiognomy, conduct and character, dependent upon a variation in the balance between the two portions of the pituitary. THE LEGEND OF FLORENCE NIGHTINGALE All biographies consist of prevarications and all autobiographies of fiction. That summing up of a mass of literature over which industrious students have ruined their eyes, held good until after the War, when things changed. Then Mr. Lytton Strachey, at one fell blow, and with one magnificent masterpiece, hurdled the old idols and established a new standard of deliberate accuracy in print. In his "Eminent Victorians" he set the pace for the host of those who have been stimulated by his good example, like Lady Margot Asquith. Of the four Victorian respectable worthies Strachey has dissected as ruthlessly as the anatomist a post-mortem, his portrait of Florence Nightingale, the founder of the modern science and art of nursing, is most interesting because it provides data of the utmost value to the student of the endocrine basis of human personality. In the conventional two-volume biography of this superwoman, she is pictured as an intellectual saint, stepped from a stained glass window upon her wonderful visit to a clay-smeared earth. The biographer, presenting all the ins and outs of her body and soul as he has, makes her live before us with a fresh vitality that is startling. The species of life Florence Nightingale lived, involving as it did struggle with a masculine world, and conquest of it, implies the existence in her of certain masculine traits and marks, for the normal feminine psyche is submissive rather than aggressive toward its environment,
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