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to death and it
was several days before her body was recovered.
The following named men have been chiefs of the St. Paul fire
department:
Wash M. Stees,
Chas. H. Williams,
J.C.A. Pickett,
W.T. Donaldson,
J.B. Irvine,
J.E. Missen,
Luther H. Eddy,
B. Rodick,
M.B. Farrell,
J.C. Prendergast,
Bartlett Presley,
Frank Brewer,
R.O. Strong,
John T. Black,
Hart N. Cook,
John Jackson.
THE FIRST AMUSEMENT HALLS IN ST. PAUL.
INCIDENTS CONNECTED WITH THE EARLY AMUSEMENT HALLS OF ST. PAUL--IRVINE
HALL--DAN EMMET AND DIXIE--THE HUTCHINSONS--MAZURKA HALL, MOZART HALL,
ETC.
Very few of the 200,000 inhabitants of St. Paul are aware that the
three-story, three-cornered building on Third street at Seven Corners
once contained one of the most popular amusement halls in the city. It
was called Irvine hall, and at one time Melodeon hall. Dan Emmet had a
minstrel company at this hall during the years 1857 and 1858, and an
excellent company it was, too. There was Frank Lombard, the great
baritone; Max Irwin, bones, and one of the funniest men who ever sat
on the stage; Johnny Ritter, female impersonator and clog dancer, and
a large number of others. Frank Lombard afterward achieved a national
reputation as one of the best baritone singers in the country. He
was much sought after for patriotic entertainments and political
conventions. His masterpiece was the Star-Spangled Banner, and his
great baritone voice, which could be heard for blocks, always brought
enthusiastic applause. Some time during the summer of 1858 the
Hutchinson family arranged to have the hall for a one-night
entertainment. By some means or other the troupe got separated and one
of the brothers got stalled on Pig's Eye bar. When their performance
was about half over the belated brother reached the hall and rushed
frantically down the aisle, with carpetbag in hand, leaped upon the
stage, and in full view of the audience proceeded to kiss the entire
tribe. The audience was under the impression they had been separated
for years instead of only twenty-four hours. The next evening Max
Irwin was missing from his accustomed place as one of the end men, and
when the performance had been in progress for about fifteen minutes
Max came rushing down the aisle with carpetbag in hand and went
through the same performance as did the lost brother of the Hutchinson
family. The effect was electrical, and for some time Max's innovatio
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