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, the barbarians retreated to Phalerum; and there, intercepted by the Aeginetans, were pressed by them in the rear; by the Athenians, led by Themistocles, in front. At this time the heroine Artemisia, pursued by that Aminias whose vessel had first grappled with the Persians, and who of all the Athenian captains was that day the most eminently distinguished, found herself in the extremest danger. Against that remarkable woman the efforts of the Athenians had been especially directed: deeming it a disgrace to them to have an enemy in a woman, they had solemnly set a reward of great amount upon her capture. Thus pursued, Artemisia had recourse to a sudden and extraordinary artifice. Falling in with a vessel of the Persians, commanded by a Calyndian prince, with whom she had once been embroiled, she bore down against the ship and sunk it--a truly feminine stratagem--deceiving at once a public enemy and gratifying a private hatred. The Athenian, seeing the vessel he had pursued thus attack a barbarian, conceived he had mistaken a friendly vessel, probably a deserter from the Persians, for a foe, and immediately sought new objects of assault. Xerxes beheld and admired the prowess of Artemisia, deeming, in the confusion, that it was a hostile vessel she had sunken. [88] XVII. The battle lasted till the dusk of evening, when at length the remnant of the barbarian fleet gained the port of Phalerum; and the Greeks beheld along the Straits of Salamis no other vestige of the enemy than the wrecks and corpses which were the evidence of his defeat. XVIII. When morning came, the Greeks awaited a renewal of the engagement; for the Persian fleet were still numerous, the Persian army yet covered the neighbouring shores, and, by a feint to conceal his real purpose, Xerxes had ordered the Phoenician transports to be joined together, as if to connect Salamis to the continent. But a mandate was already issued for the instant departure of the navy for the Hellespont, and a few days afterward the army itself retired into Boeotia. The victory of Salamis was celebrated by solemn rejoicings, in which, principally remarkable for the beauty of his person, and his accomplishments on the lyre and in the dance, was a youth named Sophocles, destined afterward to share the glory of Aeschylus, who, no less a warrior than a poet, distinguished himself in the battle, and has bequeathed to us the most detailed and animated account we possess
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