of the
tale, somewhat less probable, viz., that, by the death of Minos and
his son Deucalion, Ariadne became possessed of the throne, and that
she remitted the tribute.
[92] Thucydides, b. ii., c. 15.
[93] But many Athenians preferred to a much later age the custom of
living without the walls--scattered over the country.--(Thucyd., lib.
ii., 15.) We must suppose it was with them as with the moderns--the
rich and the great generally preferred the capital, but there were
many exceptions.
[94] For other instances in which the same word is employed by Homer,
see Clinton's Fast Hell., vol. i., introduction, ix.
[95] Paus., l. i., c. 19; l. ii., c. 18.
[96] Paus., l. vii., c. 25. An oracle of Dodona had forewarned the
Athenians of the necessity of sparing the suppliants.
[97] Herod. (lib. v., 76) cites this expedition of the Dorians for
the establishment of a colony at Megara as that of their first
incursion into Attica.
[98] Suidas. One cannot but be curious as to the motives and policy
of a person, virtuous as a man, but so relentless as a lawgiver.
Although Draco was himself a noble, it is difficult to suppose that
laws so stern and impartial would not operate rather against the more
insolent and encroaching class than against the more subordinate ones.
The attempt shows a very unwholesome state of society, and went far to
produce the democratic action which Solon represented rather than
created.
[99] Hume utters a sentiment exactly the reverse: "To expect," says
he, in his Essay on the rise of Arts and Sciences, "that the arts and
sciences should take their first rise in a monarchy, is to expect a
contradiction;" and he holds, in a subsequent part of the same essay,
that though republics originate the arts and sciences, they may be
transferred to a monarchy. Yet this sentiment is utterly at variance
with the fact; in the despotic monarchies of the East were the
elements of the arts and sciences; it was to republics they were
transferred, and republics perfected them. Hume, indeed, is often the
most incautious and uncritical of all writers. What can we think of
an author who asserts that a refined taste succeeds best in
monarchies, and then refers to the indecencies of Horace and Ovid as
an example of the reverse in a republic--as if Ovid and Horace had not
lived under a monarchy! and throughout the whole of this theory he is
as thoroughly in the wrong. By refined taste he signifies an
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