milar taste; he danced upon the stage; but he had shown by
brilliant actions that he knew how to enforce respect; and besides, he
unhesitatingly gave up the amusement from the moment he heard those
beautiful lines in which Racine pointed out how very unworthy of him such
pastimes were.--MONTJOIE, "History of Marie Antoinette."]

It was agreed that no young man except the Comte d'Artois should be
admitted into the company of performers, and that the audience should
consist only of the King, Monsieur, and the Princesses, who did not play;
but in order to stimulate the actors a little, the first boxes were to be
occupied by the readers, the Queen's ladies, their sisters and daughters,
making altogether about forty persons.

The Queen laughed heartily at the voice of M. d'Adhemar, formerly a very
fine one, but latterly become rather tremulous. His shepherd's dress in
Colin, in the "Devin du Village," contrasted very ridiculously with his
time of life, and the Queen said it would be difficult for malevolence
itself to find anything to criticise in the choice of such a lover. The
King was highly amused with these plays, and was present at every
performance. Caillot, a celebrated actor, who had long quitted the stage,
and Dazincourt, both of acknowledged good character, were selected to give
lessons, the first in comic opera, of which the easier sorts were
preferred, and the second in comedy. The office of hearer of rehearsals,
prompter, and stage manager was given to my father-in-law. The Duc de
Fronsac, first gentleman of the chamber, was much hurt at this. He
thought himself called upon to make serious remonstrances upon the
subject, and wrote to the Queen, who made him the following answer: "You
cannot be first gentleman when we are the actors. Besides, I have already
intimated to you my determination respecting Trianon. I hold no court
there, I live like a private person, and M. Campan shall be always
employed to execute orders relative to the private fetes I choose to give
there." This not putting a stop to the Duke's remonstrances, the King was
obliged to interfere. The Duke continued obstinate, and insisted that he
was entitled to manage the private amusements as much as those which were
public. It became absolutely necessary to end the argument in a positive
manner.

The diminutive Duc de Fronsac never failed, when he came to pay his
respects to the Queen at her toilet, to turn the conversation upon
Triano