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hique', article 'Ana,' "It is most remarkable that no one knows where the celebrated Fouquet was buried." But in spite of all these coincidences, this carefully constructed theory was wrecked on the same point on which the theory that the prisoner was either the Duke of Monmouth or the Comte de Vermandois came to grief, viz. a letter from Barbezieux, dated 13th August 1691, in which occur the words, "THE PRISONER WHOM YOU HAVE HAD IN CHARGE FOR TWENTY YEARS." According to this testimony, which Jacob had successfully used against his predecessors, the prisoner referred to could not have been Fouquet, who completed his twenty-seventh year of captivity in 1691, if still alive. We have now impartially set before our readers all the opinions which have been held in regard to the solution of this formidable enigma. For ourselves, we hold the belief that the Man in the Iron Mask stood on the steps of the throne. Although the mystery cannot be said to be definitely cleared up, one thing stands out firmly established among the mass of conjecture we have collected together, and that is, that wherever the prisoner appeared he was ordered to wear a mask on pain of death. His features, therefore, might during half a century have brought about his recognition from one end of France to the other; consequently, during the same space of time there existed in France a face resembling the prisoner's known through all her provinces, even to her most secluded isle. Whose face could this be, if not that of Louis XVI, twin-brother of the Man in the Iron Mask? To nullify this simple and natural conclusion strong evidence will be required. Our task has been limited to that of an examining judge at a trial, and we feel sure that our readers will not be sorry that we have left them to choose amid all the conflicting explanations of the puzzle. No consistent narrative that we might have concocted would, it seems to us, have been half as interesting to them as to allow them to follow the devious paths opened up by those who entered on the search for the heart of the mystery. Everything connected with the masked prisoner arouses the most vivid curiosity. And what end had we in view? Was it not to denounce a crime and to brand the perpetrator thereof? The facts as they stand are sufficient for our object, and speak more eloquently than if used to adorn a tale or to prove an ingenious theory.
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