FREE BOOKS

Author's List




PREV.   NEXT  
|<   139   140   141   142   143   144   145   146   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163  
164   165   166   167   168   169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   >>   >|  
ed-looking, elderly female, but genteel in black. She crushes past the little "slavey," and approaching, eyes me critically. "I have a very nice room on the first floor," she informs me, "and one behind on the third." I agree to see them, explaining that I am seeking them for a young friend of mine. We squeeze past the hat and umbrella stand: there is just room, but one must keep close to the wall. The first floor is rather an imposing apartment, with a marble-topped sideboard measuring quite three feet by two, the doors of which will remain closed if you introduce a wad of paper between them. A green table-cloth, matching the curtains, covers the loo-table. The lamp is perfectly safe so long as it stands in the exact centre of the table, but should not be shifted. A paper fire-stove ornament in some mysterious way bestows upon the room an air of chastity. Above the mantelpiece is a fly-blown mirror, between the once gilt frame and glass of which can be inserted invitation cards; indeed, one or two so remain, proving that the tenants even of "bed-sitting-rooms" are not excluded from social delights. The wall opposite is adorned by an oleograph of the kind Cheap Jacks sell by auction on Saturday nights in the Pimlico Road, and warrant as "hand-made." Generally speaking, it is a Swiss landscape. There appears to be more "body" in a Swiss landscape than in scenes from less favoured localities. A dilapidated mill, a foaming torrent, a mountain, a maiden and a cow can at the least be relied upon. An easy chair (I disclaim all responsibility for the adjective), stuffed with many coils of steel wire, each possessing a "business end" in admirable working order, and covered with horsehair, highly glazed, awaits the uninitiated. There is one way of sitting upon it, and only one: by using the extreme edge, and planting your feet firmly on the floor. If you attempt to lean back in it you inevitably slide out of it. When so treated it seems to say to you: "Excuse me, you are very heavy, and you would really be much more comfortable upon the floor. Thank you so much." The bed is behind the door, and the washstand behind the bed. If you sit facing the window you can forget the bed. On the other hand, if more than one friend come to call on you, you are glad of it. As a matter of fact, experienced visitors prefer it--make straight for it, refusing with firmness to exchange it for the easy chair. "And this room is?" "Eight shil
PREV.   NEXT  
|<   139   140   141   142   143   144   145   146   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163  
164   165   166   167   168   169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   >>   >|  



Top keywords:

remain

 

landscape

 

sitting

 

friend

 

prefer

 

visitors

 

relied

 

experienced

 

maiden

 

stuffed


matter

 

mountain

 

responsibility

 
adjective
 

disclaim

 

appears

 
speaking
 
Generally
 

warrant

 

exchange


favoured

 

localities

 
dilapidated
 

foaming

 

firmness

 

refusing

 

straight

 

scenes

 

torrent

 

business


attempt

 

washstand

 

facing

 

Pimlico

 

firmly

 

inevitably

 

Excuse

 

treated

 

comfortable

 

planting


window

 

covered

 

horsehair

 
working
 

possessing

 

admirable

 

highly

 

glazed

 
forget
 
extreme