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came to America on a tour with Mr. Carl Rosa, whom she married in 1867, her first husband, Captain De Wolfe Carvell, having died in 1865. After this they remained for four years, during which time they organized the Carl Rosa Opera Company, for the performance of English and Italian opera. Madame Parepa-Rosa was the principal singer, and the company met with great success, singing not only in opera, but also in oratorio and concerts. In 1871 they went to Cairo, Egypt, on account of Carl Rosa's health, but they returned to America before winter, bringing with them Wachtel, the German tenor, and Santley, the English baritone. In 1873 they again returned to Europe, but Madame Rosa was soon afterwards seized with an illness which terminated in her death in January, 1874. The Carl Rosa Opera Company, which was thus established, remained in existence until recently, and has been a successful company, always employing several singers of high rank. In 1898, owing to a declining business, it was decided to wind the company up, or reorganize it, and meetings were held to decide the matter. The star of 1856 was Madame Peschka-Leutner, who sang in 1872 at the Jubilee festival in Boston. Although she had appeared in London, she was but little known outside of her own country, where she was very popular. She died at Wiesbaden in 1890. Before 1860 the French stage also produced two singers of high rank. In 1858 Madame Artot made her debut at the Paris Opera, though she had already been heard in concerts in Belgium, Holland, and England. She was the daughter of the horn professor at the Brussels Conservatoire, and was taught singing by Madame Viardot-Garcia. Her engagement at Paris was due to Meyerbeer, and her success was such as to draw praise even from the extremely critical Berlioz. In the following year she took to Italian opera, and for many years was well known throughout Europe. Marguerite Josephine Desiree Montaigny Artot, for such was her name in full, was born in 1835, and in 1869 she married a well-known Spanish tenor, Padilla-y-Ramos. Together they sang in most of the great European cities until their retirement. As late as 1887 they sang in Berlin, in which city Madame Artot settled as a teacher of singing. Madame Galli-Marie, whose celebrity as Mignon and Carmen is world-wide, was the daughter of an opera singer, Mecene Marie de l'Isle. She made her debut at Strasburg in 1859, and about the same time married a
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