came to America on a tour with Mr. Carl Rosa, whom she
married in 1867, her first husband, Captain De Wolfe Carvell, having
died in 1865. After this they remained for four years, during which time
they organized the Carl Rosa Opera Company, for the performance of
English and Italian opera. Madame Parepa-Rosa was the principal singer,
and the company met with great success, singing not only in opera, but
also in oratorio and concerts. In 1871 they went to Cairo, Egypt, on
account of Carl Rosa's health, but they returned to America before
winter, bringing with them Wachtel, the German tenor, and Santley, the
English baritone.
In 1873 they again returned to Europe, but Madame Rosa was soon
afterwards seized with an illness which terminated in her death in
January, 1874. The Carl Rosa Opera Company, which was thus established,
remained in existence until recently, and has been a successful company,
always employing several singers of high rank. In 1898, owing to a
declining business, it was decided to wind the company up, or reorganize
it, and meetings were held to decide the matter.
The star of 1856 was Madame Peschka-Leutner, who sang in 1872 at the
Jubilee festival in Boston. Although she had appeared in London, she was
but little known outside of her own country, where she was very popular.
She died at Wiesbaden in 1890.
Before 1860 the French stage also produced two singers of high rank. In
1858 Madame Artot made her debut at the Paris Opera, though she had
already been heard in concerts in Belgium, Holland, and England. She was
the daughter of the horn professor at the Brussels Conservatoire, and
was taught singing by Madame Viardot-Garcia. Her engagement at Paris was
due to Meyerbeer, and her success was such as to draw praise even from
the extremely critical Berlioz. In the following year she took to
Italian opera, and for many years was well known throughout Europe.
Marguerite Josephine Desiree Montaigny Artot, for such was her name in
full, was born in 1835, and in 1869 she married a well-known Spanish
tenor, Padilla-y-Ramos. Together they sang in most of the great European
cities until their retirement. As late as 1887 they sang in Berlin, in
which city Madame Artot settled as a teacher of singing.
Madame Galli-Marie, whose celebrity as Mignon and Carmen is world-wide,
was the daughter of an opera singer, Mecene Marie de l'Isle. She made
her debut at Strasburg in 1859, and about the same time married a
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