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f victory--someday. And meanwhile, I'll keep 5274 alive. "He even knew the psychology of these Managers and their System. That they can't afford to make an error. He knew they'd still have that identification punch-plate of him. That they would have one more plate than they had prisoners. But he anticipated what they would do there too. To admit there was one more identification plate than there were prisoners would be to admit a gross error. Of course they could dissolve one of the other prisoners and use 5274's plate and resurrect 5274. But they'd gain nothing. There would still be an extra plate. You see? "So they destroyed the plate. He knew they would. And they also had to go back through the records, to Earth, through the security files there, through the birth records, everything. And they destroyed every trace, every shred of evidence that No. 5274 ever existed." So he kept the memory alive and that kept 4901 alive while the other prisoners become automatons, hearing, feeling, sensing nothing except the bells. Remembering nothing, anticipating nothing. But 4901 could remember something magnificent, and so he could anticipate, and that was hope, and faith. He found that no one really believed him but he kept on telling it anyway, the story of the Plan. "Maybe this number didn't exist," someone would say. "If there's no record anywhere--" 4901 would smile. "In my head, there's where the record is. _I_ know. _I_ remember." And so it was that 4901 was the only one who still remembered and who could still smile when sometime after that--no one in the prison colony knew how long--the Underground was victorious, and the Managerial System crumbled. End of the Project Gutenberg EBook of The Victor, by Bryce Walton *** END OF THIS PROJECT GUTENBERG EBOOK THE VICTOR *** ***** This file should be named 32903.txt or 32903.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/3/2/9/0/32903/ Produced by Greg Weeks, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special r
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