nedetto
looked from right to left. Little by little he began to recall former
impressions. Yes, he had been in that Loggia before, he had seen that
gateway when on his way to visit the Gallery of Inscriptions--the Via
Appia of the Vatican--with an acquaintance of his, a reader in the
"Vaticana." Yes, now he remembered quite well. The door on the left
at the end of the Loggia, must lead to the apartments of the Cardinal
Secretary of State. The Loggia beyond the gateway was that of Giovanni
da Udine; the great barred windows opening on to it were the windows of
the Borgia apartment, and the entrance to the Gallery of Inscriptions
must be precisely in the angle. On that former occasion a Swiss guard
had stood by the gate. Now there was no one there. The place was quite
deserted; on the right and on the left silence reigned.

To try the door of the Cardinal Secretary of State's apartment was not
to be thought of. Benedetto pushed the gate. It was open. He paused,
finding himself before the entrance to the Gallery of Inscriptions.
Again he listened. Profound silence. An inward voice seemed to say to
him: "Mount the steps. Enter!" Fearlessly he mounted the five steps.

The Via Appia of the Vatican, as broad, perhaps, as the ancient way,
contained not a single lamp. At regular intervals pale streaks of light
lay across the pavement, falling through the windows, which, from among
the tombstones, the cippi, and the pagan sarcophagi, look down upon
Rome. No light fell through the windows of the Christian wall, which
overlook the courtyard of the Belvedere. The distant end of the Gallery,
towards the Chiaramonti Museum, was shrouded in complete darkness.
Then, realising that he was in the very heart of the immense Vatican,
Benedetto was seized with a terror mingled with awe. He approached
a great window, from whence he could see Castel Sant' Angelo and the
innumerable tiny lights dotted over the lower city, while higher up, and
more brilliant, those of the Quirinal shone against the horizon. Not
the sight of illumined Rome, but the sight of a low and narrow bench,
running along below the cippi and the sarcophagi, calmed his spirit.
Then, in the dim light, he distinguished a canopy, which was already
half demolished. What could it mean? Along the opposite wall ran a
second bench, exactly like the first. Proceeding, he stumbled against
something which proved to be a large armchair. Now terror had given
place to a fixed purpose. The