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and Son_ (Dombey being Sir Robert, and the son Lord John), "Mr. Dombey was in a difficulty. He would like to have given him (_the boy_) some explanation involving the terms circulating medium, currency, depreciation of currency, paper, bullion, rates of exchange, value of precious metals in the market, and so forth." The _Portrait of a Noble Lord in Order_ refers to one of those exhibitions of want of tact, taste, and temper in which Lord Brougham would seem to have delighted.[140] "Who calls _me_ to order?" cries the "noble and learned" lord, "Who calls _me_ to order? Pooh! Pooh! Fiddle-de-dee! I never was in better order in my life. Noble lords don't know what they are about;" a conspicuous and aggressive appurtenance of the "noble and learned," by the way, is his preposterous umbrella. One of the most barbarous and disgraceful of London neighbourhoods in 1847, and for many years afterwards, was Smithfield; the present generation can form no idea of the state of things thirty years ago, which is referred to in the cartoon of _Punch and the Smithfield Savages_, the artist borrowing his idea from West's well-known picture of "Penn's Treaty with the Indians." The odious matrimonial swindle perpetrated by Louis Philippe with the idea of ultimately seating a member of his family on the Spanish throne, which has cast an indelible stain on his memory, had now been found out, and attracted universal indignation. We find him, in reference to this shameless piece of business, figuring as the _Fagin of France after Condemnation_, the idea being suggested of course by Cruikshank's famous etching in "Oliver Twist." Retribution overtook the mercenary monarch in the year of disquietude and national unrest--1848; foreign kings and potentates were sent flying in all directions, and Louis Philippe, who, like the rest of his family had learnt nothing by misfortune, was among the first to go. _Put Out_, one of the best of the artist's political cartoons, represents an armed _ouvrier_ clapping the cap of _liberte_ by way of extinguisher on the French candle (King Louis). Uneasy were the heads which wore crowns in that year; and to the throned and unthroned sovereigns, the former of whom watched these untoward events with nervous interest, John Leech presented a seasonable gift in the form of _A Constitutional Plum Pudding_, served up by Mr. Punch on Magna Charta, and curiously compounded of "Liberty of the Press," "Common Sense," "Order,"
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