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but we personally have met with little of his work prior to 1816, which is accounted for by the fact that he followed for a short time a sea life in the service of the East India Company, and after having thrown this up in favour of a calling more congenial to his tastes, he devoted himself for some years almost exclusively to miniature and portrait painting, by which he earned not only a fair livelihood, but a certain amount of fashionable patronage. Gradually, however (George tells us), he abandoned this occupation, and took almost exclusively to designing and etching. He occasionally alternated his work with water-colour drawing, in which he is said to have greatly excelled. His works in this line are extremely rare, for Robert had neither the means nor the patience to wait for the tardy patronage to be commanded by a higher walk in art; there was a demand for caricatures and comic etching in his day, which afforded a present means of livelihood, and Robert's water colours were executed more by way of relaxation than in the way of actual artistic pursuit. Among his early caricatures we may mention a rough and coarsely coloured affair engraved by him after the design of an amateur, published by Fores on the 28th of April, 1816, entitled, _The Mother's Girl Plucking a Crow, or German Flesh and English Spirit_. The Princess Charlotte, as we have seen, had an undoubted will of her own, and could, as we have also seen, assert it when occasion demanded. Here she is presented to us at the moment when a hideous German duenna, catching her in the act of writing to her mother abroad, orders her at once to desist. The princess, however, in plain terms, enforced with a clenched fist, gives her clearly to understand that she fully intends to have her own way. Another caricature, published by T. Sidebotham, in 1817, bearing the title of _The Horse Marine and his Trumpeter in a Squall_, is dedicated to the United Service Club. STRANGE FRENCH FASHIONS. Subjects for the pencil of a clever graphic satirist were not wanting sixty years ago. France in those days set the fashion both in male and female attire, and the strangest eccentricities had marked the emancipation of that country from the thraldom of the Terror. There were the _incroyables_, a set of young dandies who affected royalist sympathies, and paraded the streets of Paris when young Napoleon was yet a general in the service of the Directory. They wore short-waisted c
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